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Anne Frank is not ?the wandering Jew?
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                    [title] => Anne Frank is not ?the wandering Jew?
                    [link] => https://awardworld.net/nobel-prize/anne-frank-is-not-the-wandering-jew/
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                            [creator] => David Armstrong
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                    [pubdate] => Sat, 05 Feb 2022 07:00:04 +0000
                    [category] => Nobel PrizeAnneFrankJewwandering
                    [guid] => https://awardworld.net/?p=14248
                    [description] => Would I have survived the Shoah? It’s a question I’ve asked myself throughout my life. Maybe endure the hunger, but endure the cold? Spend a winter in Auschwitz? When I questioned this as a young man, I was anguished by the idea that, had I lived in that dark time, I would have been selected ... Read more
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Would I have survived the Shoah? It’s a question I’ve asked myself throughout my life. Maybe endure the hunger, but endure the cold? Spend a winter in Auschwitz? When I questioned this as a young man, I was anguished by the idea that, had I lived in that dark time, I would have been selected for work, and my parents would have been sent to the gas chambers. Now that I’m a mother, I can’t even begin to understand the horror of whoever had to survive the reverse: the murder of her children.

For years I have read testimonies of survivors. Last week, in the Congress of the Republic, we inaugurated, on the occasion of International Holocaust Day, an exhibition on women during the Shoah (from the Hebrew ?catastrophe?). They, who exchanged their food ration for a comb or a bit of lipstick in order to maintain their femininity. Those brave expressions of resistance, which were revealed to a regime that sought their dehumanization. The Nazis could murder a body, but not its free spirit.

These days an exhibition has been open at the Francisco Marroquín University that invites us to reflection, entitled How was it humanly possible? in his book Night, Elie Wiesel ?Nobel Peace Prize winner and Holocaust survivor? describes how when the Nazis arrived in Sighet, his town in Hungary, they imposed anti-Semitic measures. The community leaders wondered about them, and his father’s response was: ?The yellow star? You don’t die of that? (Poor father! What did you die of then?)?.

We must understand that the Shoah did not begin in Auschwitz, Majdanek, Sobibor, nor in any of the other infamous extermination camps. That’s where it ended, by allowing a yellow star on our clothes, a J for Jew on our passports, a ban on eating in restaurants and praying in our synagogues. Yes, those measures that at first appear not to be lethal, that are endured for fear that a confrontation will make it worse, until suddenly it is too late.

For all this, Anne Frank is not ?the wandering Jew?, taken from an anti-Semitic myth that Architect José María Magaña, former curator of the City of Antigua Guatemala, mentioned in his column. Ana is the girl killed for being Jewish. We have learned to raise her voice more strongly, but not only for us.

The hatred that begins against the Jews does not end with the Jews. Gypsies, homosexuals, communists, Jehovah’s Witnesses, the physically and mentally handicapped, political dissidents and all those groups considered in the eyes of the Nazi regime as inferior, as a social, ideological or racial problem, were also vilely persecuted and murdered. The tragedy is not only of the Jews, it is of humanity.

So I don’t know?and I hope I never will?whether he would have endured hunger, succumbed to the cold, or endured the whipping of the Nazis. Who knows if I would have eaten my ration for the day, or if I would have had the courage to exchange it for a comb!

In tribute to my maternal great-grandmother, Beile Eichenbaum, who died of typhoid in the Warsaw ghetto, and my paternal great-grandmother, Sara Rosa Permuth, who was shot in Zhabinka, both for being Jewish, who did not survive, but part of his offspring is alive today in Guatemala, NEVER EVER.

*President of the Jewish Community of Guatemala


We would like to say thanks to the author of this write-up for this outstanding material

Anne Frank is not “the wandering Jew”

Other links: https://awardworld.net/resources/
) [summary] => Would I have survived the Shoah? It’s a question I’ve asked myself throughout my life. Maybe endure the hunger, but endure the cold? Spend a winter in Auschwitz? When I questioned this as a young man, I was anguished by the idea that, had I lived in that dark time, I would have been selected ... Read more [atom_content] =>

Would I have survived the Shoah? It’s a question I’ve asked myself throughout my life. Maybe endure the hunger, but endure the cold? Spend a winter in Auschwitz? When I questioned this as a young man, I was anguished by the idea that, had I lived in that dark time, I would have been selected for work, and my parents would have been sent to the gas chambers. Now that I’m a mother, I can’t even begin to understand the horror of whoever had to survive the reverse: the murder of her children.

For years I have read testimonies of survivors. Last week, in the Congress of the Republic, we inaugurated, on the occasion of International Holocaust Day, an exhibition on women during the Shoah (from the Hebrew ?catastrophe?). They, who exchanged their food ration for a comb or a bit of lipstick in order to maintain their femininity. Those brave expressions of resistance, which were revealed to a regime that sought their dehumanization. The Nazis could murder a body, but not its free spirit.

These days an exhibition has been open at the Francisco Marroquín University that invites us to reflection, entitled How was it humanly possible? in his book Night, Elie Wiesel ?Nobel Peace Prize winner and Holocaust survivor? describes how when the Nazis arrived in Sighet, his town in Hungary, they imposed anti-Semitic measures. The community leaders wondered about them, and his father’s response was: ?The yellow star? You don’t die of that? (Poor father! What did you die of then?)?.

We must understand that the Shoah did not begin in Auschwitz, Majdanek, Sobibor, nor in any of the other infamous extermination camps. That’s where it ended, by allowing a yellow star on our clothes, a J for Jew on our passports, a ban on eating in restaurants and praying in our synagogues. Yes, those measures that at first appear not to be lethal, that are endured for fear that a confrontation will make it worse, until suddenly it is too late.

For all this, Anne Frank is not ?the wandering Jew?, taken from an anti-Semitic myth that Architect José María Magaña, former curator of the City of Antigua Guatemala, mentioned in his column. Ana is the girl killed for being Jewish. We have learned to raise her voice more strongly, but not only for us.

The hatred that begins against the Jews does not end with the Jews. Gypsies, homosexuals, communists, Jehovah’s Witnesses, the physically and mentally handicapped, political dissidents and all those groups considered in the eyes of the Nazi regime as inferior, as a social, ideological or racial problem, were also vilely persecuted and murdered. The tragedy is not only of the Jews, it is of humanity.

So I don’t know?and I hope I never will?whether he would have endured hunger, succumbed to the cold, or endured the whipping of the Nazis. Who knows if I would have eaten my ration for the day, or if I would have had the courage to exchange it for a comb!

In tribute to my maternal great-grandmother, Beile Eichenbaum, who died of typhoid in the Warsaw ghetto, and my paternal great-grandmother, Sara Rosa Permuth, who was shot in Zhabinka, both for being Jewish, who did not survive, but part of his offspring is alive today in Guatemala, NEVER EVER.

*President of the Jewish Community of Guatemala


We would like to say thanks to the author of this write-up for this outstanding material

Anne Frank is not “the wandering Jew”

Other links: https://awardworld.net/resources/
[date_timestamp] => 1644044404 ) [1] => Array ( [title] => PALME D?OR ? ?Apocalypse Now?, the cursed filming ? Maze.fr [link] => https://awardworld.net/palme-dor/palme-dor-apocalypse-now-the-cursed-filming-maze-fr-2/ [dc] => Array ( [creator] => Stephen Juarez ) [pubdate] => Sat, 05 Feb 2022 06:56:36 +0000 [category] => Palme D?orApocalypseCurseddOrfilmingMazefrPalme [guid] => https://awardworld.net/?p=14245 [description] => © STUDIOCANAL The Cannes Film Festival will not take place. In any case, not in May. And not in the form we know. The editorial staff offers you a non-exhaustive selection of Palmes d’or which have marked the history of the festival since its creation. Holder of the Palme d’Or 1979 tied with Le Tambour, ... Read more [content] => Array ( [encoded] =>

© STUDIOCANAL

The Cannes Film Festival will not take place. In any case, not in May. And not in the form we know. The editorial staff offers you a non-exhaustive selection of Palmes d’or which have marked the history of the festival since its creation. Holder of the Palme d’Or 1979 tied with Le Tambour, Apocalypse Now is considered one of the greatest films of all time, yet its shooting was chaotic.

In the middle of the Vietnam War, the unhealthy actions of Colonel Kurtz (Marlon Brando) entrenched in Cambodia in the middle of the jungle push the American military intelligence services to send Captain Willard (Martin Sheen) to find him. Unaccounted for, Kurtz is rumored to have descended into madness putting aside his military responsibilities to become a kind of god among the natives, while committing acts of barbarism. Throughout his war-filled and obstacle-filled journey, as he ascends the river and sinks deeper and deeper into the wild jungle, Willard searches deep within himself for he will have the guts to kill a colonel, one of his ilk.

Revealed by The Godfather in 1972 and subsequently in 1974, Coppola is an emblematic figure of New Hollywood. After the huge success of The Godfather, he set out to make a film about the Vietnam War. The result is Apocalypse Now, released a year after Michael Cimino’s Journey to the End of Hell, one of the first films to evoke the Vietnam War. The film was then released in two edited versions: Redux in 2001 and Final Cut in 2019. The filming itself was hell, a documentary directed by Coppola’s wife, Eleanor Coppola, was even dedicated to him in 1991, In the heart of darkness: the Apocalypse of a director. Between drugs, alcohol, madness and megalomania, the shooting is one of the most incredible in the history of cinema, which makes the film all the more exciting.

Martin Sheen © 1979 ? United Artists

A long-standing project

The story of Apocalypse Now begins in 1939 when Orson Welles wants to adapt a short story by Joseph Conrad In the heart of darkness (Heart of Darkness), the story of a sailor who sinks into the African jungle, responsible for finding Kurtz , the leader of a trading post, who has stopped giving signs of life and is suspected to have gone mad. While Welles is ready to shoot, the project is abandoned in the face of pressure from the production which fears a budget overrun. In the end, he recovered well since he was filming the mythical Citizen Kane instead. Thirty years later, in the midst of the Vietnam War, screenwriter John Milius (Conan the Barbarian, Inspector Harry) embarks on a script mixing Conrad’s short story with the situation in Vietnam. The story takes up roughly the same plot as the book but transposes it during the war. Coppola is then a young director who wants to launch his independent production studio American Zoetrope, he thinks of producing Apocalypse Now to launch said studio, with his friend Georges Lucas as director. John Milius then has the crazy idea of ??going to shoot in the middle of Vietnam in the middle of the conflict, too risky the project is logically abandoned. Coppola shoots The Godfather and its sequel and achieves the status of Hollywood’s most respected director.

In 1976, Coppola and Millius plunged back into this long-standing project and wanted to succeed where forty years earlier Orson Welles had failed. The script is revised, because since its first version the war is over and leaves a painful and taboo memory. Georges Lucas being busy preparing for Star Wars, Coppola imposed himself as a director, he hoped that the success of the film would enable him to acquire independence from the studios. So in February 1976, the team landed in the Philippines to start filming, the Coppola family was complete: his wife, children and sister were present.

Show the war in a new way

1644044184 712 PALME DOR Apocalypse Now the cursed filming Mazefr
Willard (Martin Sheen) entering Kurtz’s lair© STUDIOCANAL

War film, blockbuster film, film about madness, Apocalypse Now cannot be put in a single box as it evokes so many themes. It is one of the first American films about the Vietnam War (released a year after Journey to the End of Hell but started long before), subsequently inspiring a whole series of successful films: Platoon, Full metal jacket. It is in fact above all an adventure film, the ascent of the river to reach Kurtz’s lair is akin to a long journey towards madness. The closer the soldiers get to their objective, the more insane people they encounter, and the more they sink into despair themselves. It is the same for the film crew confronted with Coppola’s megalomania and the various difficulties that follow one another: hurricanes, rebel attacks, heart attack.

1644044185 958 PALME DOR Apocalypse Now the cursed filming Mazefr
Robert Duvall plays Lt. Col. Kilgore © STUDIOCANAL

The secondary characters, who generally only appear for one scene, are reflections of the military state of mind of the time and of the incomprehension faced with this war. Robert Duvall, nominated for the occasion for the Oscar for best supporting actor, plays a completely crazy airborne cavalry commander who likes to listen to Wagner thoroughly during his aerial attacks. He slips in one of cinema’s best-known lines, ?I like the smell of napalm in the morning?. He stands out in particular by bombarding a Vietnamese village with said napalm, in order to be able to go surfing quietly on a beach in the middle of the explosions. This absurd behavior swinging between humor and horror makes the viewer feel incomprehensible and loses him a little, exactly how the soldiers felt at the time. This is the effect intended by Coppola. There are also all those soldiers encountered on the way by Willard, who wander and fire into the crowd without even knowing who is in command, lost in the middle of the jungle in a fight against themselves.

A wind of madness on the set

Beyond the adventure and the war, the film is encompassed in an atmosphere of madness which is sublimated by the psychedelic smoke bombs used repeatedly and the effects of thick fog on the river. It is not easy to understand who is the craziest, Kurtz who cracked by taking himself for god in the middle of the natives, or Willard who also sinks into a state of madness and trance during the finale. But how are they crazier than the other protagonists, such as Kilgore played by an overexcited Robert Duvall? All wander in this war they don’t understand, they don’t know why they are fighting, they shoot into the crowd without thinking. This state of madness is also found on the set, in the shooting conditions.

?We were in the jungle. We were too many. We had way too much money, way too much equipment, and little by little we went crazy. »

Francis Ford Coppola at the 1979 Cannes Film Festival about the shooting.

In the Philippines, the political situation is tense, the dictator Marcos borrows army helicopters for the needs of the film, they are used during the spectacular aerial charge against the backdrop of Wagner. Only, a few kilometers from the plateau, rebels hostile to the government regularly organize attacks and helicopters are systematically requisitioned to go and fight them. All this always slows down the shooting a little more. As if that weren’t enough, the weather adds to the list of problems. At first Coppola is delighted, he can turn in the fog and in torrential rains, which transcribes the climatic conditions that the soldiers experienced. However, when a typhoon hits and ravages all the sets, Coppola takes the brunt, once again forced to delay filming and have all the sets rebuilt.

In the midst of this artistic and climatic chaos, actors and technicians take refuge in drugs. When it’s to add to the credibility of a scene, it can be useful, especially for the scene where Chef cracks after the nocturnal attack of a tiger, the actor had actually taken cocaine. However when it’s between takes it’s more problematic. The set becomes a veritable pharmacy where the film crew can find all existing psychedelic substances. In the film, the drug is present as an escape for the soldiers. Apocalypse Now shows the importation by the Americans of the psychedelic wave in Vietnam (rock, drugs).

1644044185 564 PALME DOR Apocalypse Now the cursed filming Mazefr
Laurence Fishburne and Sam Bottoms © 1979 ? United Artists

Coppola on his side has not yet finished for his film when he has already started shooting, the outcome must be the confrontation between Willard and Kurtz, the stakes are high. He constantly rewrites the script and gives birth to a new ending every four mornings, finally when he lets Brando improvise, who finally manages to fit into his character, he is satisfied. The director behaves like a dictator during the shooting according to the witnesses, a bit like Kurtz, he will recognize it himself later. For example, he insists that the wine be served at 14 degrees and that the bottles be taken out of the fridge at the exact minute before starting to shoot a meal scene. He asks a lot of his actors, especially Martin Sheen, whom he asks to really drink alcohol and to put himself completely naked to let his despair express itself. During the scene, completely drunk and barely standing, Sheen cuts his hand by punching a mirror. Later, in March 1977, Sheen reached his limits, broke down, had a heart attack and was rushed home. It even seems that a priest gave him the last rites. Coppola thinking that he could lose his main interpreter sinks even more into paranoia and drugs. He loses 40kg and brings his mistresses while his wife is there. He thinks about suicide several times. Seeing that the leader of the project is going mad, the whole team breaks down and takes comfort in drugs and alcohol. Finally, Martin Sheen is back in top form, getting away from this crazy shoot for a while has done him the greatest good.

Brando’s whims

1644044185 380 PALME DOR Apocalypse Now the cursed filming Mazefr
Coppola directing Brando © 1979 United Artists

Succeeding in putting Marlon Brando on the screen ensures the film of prestige, he had already shot with Coppola for The Godfather. However, his reputation as a capricious and authoritarian actor is confirmed during filming, where he complicates everything. Brando arrives obese, without having read his text or even Conrad’s short story, and demands a salary of one million dollars a week. The director could have fired him or hired another less restrictive actor, but he absolutely wanted to have him on screen. Pioneer of the method of the Actors Studio which aims to feel the emotions of the character and not to imitate them, Brando refuses to read the script and prefers to improvise philosophical monologues. The short time it appears, only a few minutes in the film, takes three weeks to shoot, but the result is present.

Finally, Apocalypse Now is 238 days of filming instead of the 16 weeks announced; more than 30 million dollars of budget against the 13 million planned and 3 years of editing to finally present it at the Cannes festival. Coppola as a great perfectionist, constantly disappointed by his work, kept bringing it up. After such an apocalyptic shooting, nothing would have let think that this film would be successful, its director himself declared that it was a failure. And yet, he entered the history of cinema, harvesting 150 million at the worldwide box office, a Palme d’Or and two Oscars: Coppola at the top of his game. The uncontrolled pace that the film took was ultimately the recipe for its success, transcribing the madness of war, the impacted morale of the soldiers and the complexity of the human spirit.

We want to give thanks to the writer of this post for this outstanding material

PALME D’OR – “Apocalypse Now”, the cursed filming – Maze.fr

Other links: https://awardworld.net/resources/
) [summary] => © STUDIOCANAL The Cannes Film Festival will not take place. In any case, not in May. And not in the form we know. The editorial staff offers you a non-exhaustive selection of Palmes d’or which have marked the history of the festival since its creation. Holder of the Palme d’Or 1979 tied with Le Tambour, ... Read more [atom_content] =>

© STUDIOCANAL

The Cannes Film Festival will not take place. In any case, not in May. And not in the form we know. The editorial staff offers you a non-exhaustive selection of Palmes d’or which have marked the history of the festival since its creation. Holder of the Palme d’Or 1979 tied with Le Tambour, Apocalypse Now is considered one of the greatest films of all time, yet its shooting was chaotic.

In the middle of the Vietnam War, the unhealthy actions of Colonel Kurtz (Marlon Brando) entrenched in Cambodia in the middle of the jungle push the American military intelligence services to send Captain Willard (Martin Sheen) to find him. Unaccounted for, Kurtz is rumored to have descended into madness putting aside his military responsibilities to become a kind of god among the natives, while committing acts of barbarism. Throughout his war-filled and obstacle-filled journey, as he ascends the river and sinks deeper and deeper into the wild jungle, Willard searches deep within himself for he will have the guts to kill a colonel, one of his ilk.

Revealed by The Godfather in 1972 and subsequently in 1974, Coppola is an emblematic figure of New Hollywood. After the huge success of The Godfather, he set out to make a film about the Vietnam War. The result is Apocalypse Now, released a year after Michael Cimino’s Journey to the End of Hell, one of the first films to evoke the Vietnam War. The film was then released in two edited versions: Redux in 2001 and Final Cut in 2019. The filming itself was hell, a documentary directed by Coppola’s wife, Eleanor Coppola, was even dedicated to him in 1991, In the heart of darkness: the Apocalypse of a director. Between drugs, alcohol, madness and megalomania, the shooting is one of the most incredible in the history of cinema, which makes the film all the more exciting.

Martin Sheen © 1979 ? United Artists

A long-standing project

The story of Apocalypse Now begins in 1939 when Orson Welles wants to adapt a short story by Joseph Conrad In the heart of darkness (Heart of Darkness), the story of a sailor who sinks into the African jungle, responsible for finding Kurtz , the leader of a trading post, who has stopped giving signs of life and is suspected to have gone mad. While Welles is ready to shoot, the project is abandoned in the face of pressure from the production which fears a budget overrun. In the end, he recovered well since he was filming the mythical Citizen Kane instead. Thirty years later, in the midst of the Vietnam War, screenwriter John Milius (Conan the Barbarian, Inspector Harry) embarks on a script mixing Conrad’s short story with the situation in Vietnam. The story takes up roughly the same plot as the book but transposes it during the war. Coppola is then a young director who wants to launch his independent production studio American Zoetrope, he thinks of producing Apocalypse Now to launch said studio, with his friend Georges Lucas as director. John Milius then has the crazy idea of ??going to shoot in the middle of Vietnam in the middle of the conflict, too risky the project is logically abandoned. Coppola shoots The Godfather and its sequel and achieves the status of Hollywood’s most respected director.

In 1976, Coppola and Millius plunged back into this long-standing project and wanted to succeed where forty years earlier Orson Welles had failed. The script is revised, because since its first version the war is over and leaves a painful and taboo memory. Georges Lucas being busy preparing for Star Wars, Coppola imposed himself as a director, he hoped that the success of the film would enable him to acquire independence from the studios. So in February 1976, the team landed in the Philippines to start filming, the Coppola family was complete: his wife, children and sister were present.

Show the war in a new way

1644044184 712 PALME DOR Apocalypse Now the cursed filming Mazefr
Willard (Martin Sheen) entering Kurtz’s lair© STUDIOCANAL

War film, blockbuster film, film about madness, Apocalypse Now cannot be put in a single box as it evokes so many themes. It is one of the first American films about the Vietnam War (released a year after Journey to the End of Hell but started long before), subsequently inspiring a whole series of successful films: Platoon, Full metal jacket. It is in fact above all an adventure film, the ascent of the river to reach Kurtz’s lair is akin to a long journey towards madness. The closer the soldiers get to their objective, the more insane people they encounter, and the more they sink into despair themselves. It is the same for the film crew confronted with Coppola’s megalomania and the various difficulties that follow one another: hurricanes, rebel attacks, heart attack.

1644044185 958 PALME DOR Apocalypse Now the cursed filming Mazefr
Robert Duvall plays Lt. Col. Kilgore © STUDIOCANAL

The secondary characters, who generally only appear for one scene, are reflections of the military state of mind of the time and of the incomprehension faced with this war. Robert Duvall, nominated for the occasion for the Oscar for best supporting actor, plays a completely crazy airborne cavalry commander who likes to listen to Wagner thoroughly during his aerial attacks. He slips in one of cinema’s best-known lines, ?I like the smell of napalm in the morning?. He stands out in particular by bombarding a Vietnamese village with said napalm, in order to be able to go surfing quietly on a beach in the middle of the explosions. This absurd behavior swinging between humor and horror makes the viewer feel incomprehensible and loses him a little, exactly how the soldiers felt at the time. This is the effect intended by Coppola. There are also all those soldiers encountered on the way by Willard, who wander and fire into the crowd without even knowing who is in command, lost in the middle of the jungle in a fight against themselves.

A wind of madness on the set

Beyond the adventure and the war, the film is encompassed in an atmosphere of madness which is sublimated by the psychedelic smoke bombs used repeatedly and the effects of thick fog on the river. It is not easy to understand who is the craziest, Kurtz who cracked by taking himself for god in the middle of the natives, or Willard who also sinks into a state of madness and trance during the finale. But how are they crazier than the other protagonists, such as Kilgore played by an overexcited Robert Duvall? All wander in this war they don’t understand, they don’t know why they are fighting, they shoot into the crowd without thinking. This state of madness is also found on the set, in the shooting conditions.

?We were in the jungle. We were too many. We had way too much money, way too much equipment, and little by little we went crazy. »

Francis Ford Coppola at the 1979 Cannes Film Festival about the shooting.

In the Philippines, the political situation is tense, the dictator Marcos borrows army helicopters for the needs of the film, they are used during the spectacular aerial charge against the backdrop of Wagner. Only, a few kilometers from the plateau, rebels hostile to the government regularly organize attacks and helicopters are systematically requisitioned to go and fight them. All this always slows down the shooting a little more. As if that weren’t enough, the weather adds to the list of problems. At first Coppola is delighted, he can turn in the fog and in torrential rains, which transcribes the climatic conditions that the soldiers experienced. However, when a typhoon hits and ravages all the sets, Coppola takes the brunt, once again forced to delay filming and have all the sets rebuilt.

In the midst of this artistic and climatic chaos, actors and technicians take refuge in drugs. When it’s to add to the credibility of a scene, it can be useful, especially for the scene where Chef cracks after the nocturnal attack of a tiger, the actor had actually taken cocaine. However when it’s between takes it’s more problematic. The set becomes a veritable pharmacy where the film crew can find all existing psychedelic substances. In the film, the drug is present as an escape for the soldiers. Apocalypse Now shows the importation by the Americans of the psychedelic wave in Vietnam (rock, drugs).

1644044185 564 PALME DOR Apocalypse Now the cursed filming Mazefr
Laurence Fishburne and Sam Bottoms © 1979 ? United Artists

Coppola on his side has not yet finished for his film when he has already started shooting, the outcome must be the confrontation between Willard and Kurtz, the stakes are high. He constantly rewrites the script and gives birth to a new ending every four mornings, finally when he lets Brando improvise, who finally manages to fit into his character, he is satisfied. The director behaves like a dictator during the shooting according to the witnesses, a bit like Kurtz, he will recognize it himself later. For example, he insists that the wine be served at 14 degrees and that the bottles be taken out of the fridge at the exact minute before starting to shoot a meal scene. He asks a lot of his actors, especially Martin Sheen, whom he asks to really drink alcohol and to put himself completely naked to let his despair express itself. During the scene, completely drunk and barely standing, Sheen cuts his hand by punching a mirror. Later, in March 1977, Sheen reached his limits, broke down, had a heart attack and was rushed home. It even seems that a priest gave him the last rites. Coppola thinking that he could lose his main interpreter sinks even more into paranoia and drugs. He loses 40kg and brings his mistresses while his wife is there. He thinks about suicide several times. Seeing that the leader of the project is going mad, the whole team breaks down and takes comfort in drugs and alcohol. Finally, Martin Sheen is back in top form, getting away from this crazy shoot for a while has done him the greatest good.

Brando’s whims

1644044185 380 PALME DOR Apocalypse Now the cursed filming Mazefr
Coppola directing Brando © 1979 United Artists

Succeeding in putting Marlon Brando on the screen ensures the film of prestige, he had already shot with Coppola for The Godfather. However, his reputation as a capricious and authoritarian actor is confirmed during filming, where he complicates everything. Brando arrives obese, without having read his text or even Conrad’s short story, and demands a salary of one million dollars a week. The director could have fired him or hired another less restrictive actor, but he absolutely wanted to have him on screen. Pioneer of the method of the Actors Studio which aims to feel the emotions of the character and not to imitate them, Brando refuses to read the script and prefers to improvise philosophical monologues. The short time it appears, only a few minutes in the film, takes three weeks to shoot, but the result is present.

Finally, Apocalypse Now is 238 days of filming instead of the 16 weeks announced; more than 30 million dollars of budget against the 13 million planned and 3 years of editing to finally present it at the Cannes festival. Coppola as a great perfectionist, constantly disappointed by his work, kept bringing it up. After such an apocalyptic shooting, nothing would have let think that this film would be successful, its director himself declared that it was a failure. And yet, he entered the history of cinema, harvesting 150 million at the worldwide box office, a Palme d’Or and two Oscars: Coppola at the top of his game. The uncontrolled pace that the film took was ultimately the recipe for its success, transcribing the madness of war, the impacted morale of the soldiers and the complexity of the human spirit.

We want to give thanks to the writer of this post for this outstanding material

PALME D’OR – “Apocalypse Now”, the cursed filming – Maze.fr

Other links: https://awardworld.net/resources/
[date_timestamp] => 1644044196 ) [2] => Array ( [title] => L?Affaire Collective receives the Gopo for best film [link] => https://awardworld.net/bafta-awards/laffaire-collective-receives-the-gopo-for-best-film/ [dc] => Array ( [creator] => Leonard Florence ) [pubdate] => Sat, 05 Feb 2022 06:08:20 +0000 [category] => Bafta AwardscollectivefilmGopoLAffairereceives [guid] => https://awardworld.net/?p=14242 [description] => 06/30/2021 – Legacy, Acasa ? My Home and 5 Minutes Too Late are also among the winners of the Romanian cinema awards This article is available in English. After receiving Romania’s first Academy Award nomination, Alexander Nanau‘s documentary Collective [+lire aussi : critiquebande-annoncefiche film] (Romania/Luxembourg) has triumphed at the 15th edition of the Gopo Awards, organized outdoors ... Read more [content] => Array ( [encoded] =>

Legacy, Acasa ? My Home and 5 Minutes Too Late are also among the winners of the Romanian cinema awards

This article is available in English.

After receiving Romania’s first Academy Award nomination, Alexander Nanau‘s documentary Collective [+lire aussi :
critique
bande-annonce
fiche film
]
(Romania/Luxembourg) has triumphed at the 15th edition of the Gopo Awards, organized outdoors on Tuesday evening. Nanau also won the Best Director trophy and, together with Dana Bunescu and George Craggthe Best Editing Award.

Radu Ciorniciuc‘s well-traveled documentary Acasa ? My Home [+lire aussi :
critique
bande-annonce
interview : Radu Ciorniciuc
fiche film
]
(Romania/Finland/Germany) won Best First Feature, Best Documentary (a category where Collective wasn’t actually competing) and Best Sound. The awards won by these two documentaries at home and abroad will certainly revive the conflict between the Romanian documentary community and the National Film Center, which funnels only 10% of its funding into documentary production.

(The article continues below – Commercial information)

Interestingly, all four of the acting categories were won by Dan Chisu‘s 5 Minutes Too Late [+lire aussi :
bande-annonce
fiche film
]
(Romania). Jesus del Cerro‘s Miami Bici [+lire aussi :
bande-annonce
fiche film
]
snagged the Audience Award, a nod given to the domestic film with the highest number of admissions in the previous year (for more on the movie’s popularity, see the news). Dorian Bogu?a‘s Legacy [+lire aussi :
critique
bande-annonce
fiche film
]
won three gongs, including the coveted Best Screenplay Award, while Radu Jude‘s Uppercase Print [+lire aussi :
critique
bande-annonce
fiche film
]
won two braces. Although it received this edition’s highest number of nominations, namely 12, Ivana Mladenovi?‘s Ivana the Terrible [+lire aussi :
critique
bande-annonce
interview : Ada Solomon
fiche film
]
(Romania/Serbia) didn’t take home a single award.

Probably Romania’s most talked-about film of 2020, Cristi Puiu‘s Malmkrog [+lire aussi :
critique
bande-annonce
interview : Cristi Puiu
fiche film
]
was not considered at this edition of the Gopos, as it hasn’t yet been released domestically.

Here is the complete list of winners:

Best Movie
Collective [+lire aussi :
critique
bande-annonce
fiche film
]
– Alexander Nanau (Romania/Luxembourg)

Best Director
Alexander Nanau ? Collective

Best Screenplay
Dorian Bogu?a, Loredana Novak ? Legacy [+lire aussi :
critique
bande-annonce
fiche film
]

Best Lead Actor
Mihai Calin – 5 Minutes Too Late [+lire aussi :
bande-annonce
fiche film
]

Best Lead Actress
Diana Cavallioti- 5 Minutes Too Late

Best Supporting Actress
Elvira Deatcu- 5 Minutes Too Late

Best Supporting Actor
Emanuel Parvu – 5 Minutes Too Late

Best Cinematography
Oleg Mutu- Love 2.America [+lire aussi :
critique
bande-annonce
fiche film
]

Best Editing
Alexander Nanau, George Cragg, Dana Bunescu – Collective

best-sound
Tom Weber, Andreas Mühlschlegel, Lukás Moudrý – Acasa ? My Home [+lire aussi :
critique
bande-annonce
interview : Radu Ciorniciuc
fiche film
]
(Romania/Finland/Germany)

Highscore
Marius Left?rache, Matei Stratan, Cristina Chiosea – Legacy

Best Art Direction
Irina Moscow – Uppercase Print [+lire aussi :
critique
bande-annonce
fiche film
]

Best Suits
Malina Ionescu – Legacy

Best Make-up and Hairstyling
Bianca Boeroiu, Domnica Bodogan – Uppercase Print

Best First Feature
Acasa – My Home – Radu Ciorniciuc

Best Documentary
Acasa – My Home – Radu Ciorniciuc

Best European Film
Sorry We Missed You [+lire aussi :
critique
bande-annonce
Q&A : Ken Loach
fiche film
]
– Ken Loach (UK/France/Belgium)

Best New Hope
Alma Buhagiar ? director of Together (short movie)

Best Short Film
Into the Night – Ana Pasti

Best Short Documentary Film
The Deer Passed in Front of Me – Vlad Petri

Best Short Animated Film
The Death and the Knight – Radu Gaciu

Audience Award
Miami Bici [+lire aussi :
bande-annonce
fiche film
]
– Jesus del Cerro

(The article continues below – Commercial information)

We wish to thank the writer of this short article for this outstanding web content

L’Affaire Collective receives the Gopo for best film

Other links: https://awardworld.net/resources/
) [summary] => 06/30/2021 – Legacy, Acasa ? My Home and 5 Minutes Too Late are also among the winners of the Romanian cinema awards This article is available in English. After receiving Romania’s first Academy Award nomination, Alexander Nanau‘s documentary Collective [+lire aussi : critiquebande-annoncefiche film] (Romania/Luxembourg) has triumphed at the 15th edition of the Gopo Awards, organized outdoors ... Read more [atom_content] =>

Legacy, Acasa ? My Home and 5 Minutes Too Late are also among the winners of the Romanian cinema awards

This article is available in English.

After receiving Romania’s first Academy Award nomination, Alexander Nanau‘s documentary Collective [+lire aussi :
critique
bande-annonce
fiche film
]
(Romania/Luxembourg) has triumphed at the 15th edition of the Gopo Awards, organized outdoors on Tuesday evening. Nanau also won the Best Director trophy and, together with Dana Bunescu and George Craggthe Best Editing Award.

Radu Ciorniciuc‘s well-traveled documentary Acasa ? My Home [+lire aussi :
critique
bande-annonce
interview : Radu Ciorniciuc
fiche film
]
(Romania/Finland/Germany) won Best First Feature, Best Documentary (a category where Collective wasn’t actually competing) and Best Sound. The awards won by these two documentaries at home and abroad will certainly revive the conflict between the Romanian documentary community and the National Film Center, which funnels only 10% of its funding into documentary production.

(The article continues below – Commercial information)

Interestingly, all four of the acting categories were won by Dan Chisu‘s 5 Minutes Too Late [+lire aussi :
bande-annonce
fiche film
]
(Romania). Jesus del Cerro‘s Miami Bici [+lire aussi :
bande-annonce
fiche film
]
snagged the Audience Award, a nod given to the domestic film with the highest number of admissions in the previous year (for more on the movie’s popularity, see the news). Dorian Bogu?a‘s Legacy [+lire aussi :
critique
bande-annonce
fiche film
]
won three gongs, including the coveted Best Screenplay Award, while Radu Jude‘s Uppercase Print [+lire aussi :
critique
bande-annonce
fiche film
]
won two braces. Although it received this edition’s highest number of nominations, namely 12, Ivana Mladenovi?‘s Ivana the Terrible [+lire aussi :
critique
bande-annonce
interview : Ada Solomon
fiche film
]
(Romania/Serbia) didn’t take home a single award.

Probably Romania’s most talked-about film of 2020, Cristi Puiu‘s Malmkrog [+lire aussi :
critique
bande-annonce
interview : Cristi Puiu
fiche film
]
was not considered at this edition of the Gopos, as it hasn’t yet been released domestically.

Here is the complete list of winners:

Best Movie
Collective [+lire aussi :
critique
bande-annonce
fiche film
]
– Alexander Nanau (Romania/Luxembourg)

Best Director
Alexander Nanau ? Collective

Best Screenplay
Dorian Bogu?a, Loredana Novak ? Legacy [+lire aussi :
critique
bande-annonce
fiche film
]

Best Lead Actor
Mihai Calin – 5 Minutes Too Late [+lire aussi :
bande-annonce
fiche film
]

Best Lead Actress
Diana Cavallioti- 5 Minutes Too Late

Best Supporting Actress
Elvira Deatcu- 5 Minutes Too Late

Best Supporting Actor
Emanuel Parvu – 5 Minutes Too Late

Best Cinematography
Oleg Mutu- Love 2.America [+lire aussi :
critique
bande-annonce
fiche film
]

Best Editing
Alexander Nanau, George Cragg, Dana Bunescu – Collective

best-sound
Tom Weber, Andreas Mühlschlegel, Lukás Moudrý – Acasa ? My Home [+lire aussi :
critique
bande-annonce
interview : Radu Ciorniciuc
fiche film
]
(Romania/Finland/Germany)

Highscore
Marius Left?rache, Matei Stratan, Cristina Chiosea – Legacy

Best Art Direction
Irina Moscow – Uppercase Print [+lire aussi :
critique
bande-annonce
fiche film
]

Best Suits
Malina Ionescu – Legacy

Best Make-up and Hairstyling
Bianca Boeroiu, Domnica Bodogan – Uppercase Print

Best First Feature
Acasa – My Home – Radu Ciorniciuc

Best Documentary
Acasa – My Home – Radu Ciorniciuc

Best European Film
Sorry We Missed You [+lire aussi :
critique
bande-annonce
Q&A : Ken Loach
fiche film
]
– Ken Loach (UK/France/Belgium)

Best New Hope
Alma Buhagiar ? director of Together (short movie)

Best Short Film
Into the Night – Ana Pasti

Best Short Documentary Film
The Deer Passed in Front of Me – Vlad Petri

Best Short Animated Film
The Death and the Knight – Radu Gaciu

Audience Award
Miami Bici [+lire aussi :
bande-annonce
fiche film
]
– Jesus del Cerro

(The article continues below – Commercial information)

We wish to thank the writer of this short article for this outstanding web content

L’Affaire Collective receives the Gopo for best film

Other links: https://awardworld.net/resources/
[date_timestamp] => 1644041300 ) [3] => Array ( [title] => IDFA unveils its opening film and its competition selection [link] => https://awardworld.net/bafta-awards/idfa-unveils-its-opening-film-and-its-competition-selection/ [dc] => Array ( [creator] => Leonard Florence ) [pubdate] => Sat, 05 Feb 2022 05:07:35 +0000 [category] => Bafta AwardscompetitionfilmIDFAselectionunveils [guid] => https://awardworld.net/?p=14239 [description] => 04/11/2021 – Four Journeys by Louis Hothothot will open the 34th edition of the festival, which will screen new films by Sergei Loznitsa and Aliona van der Horst This article is available in English. The 34th edition of the International Documentary Film Festival Amsterdam (IDFA), running from 17-28 November, has unveiled its selection. The festival’s ... Read more [content] => Array ( [encoded] =>

Four Journeys by Louis Hothothot will open the 34th edition of the festival, which will screen new films by Sergei Loznitsa and Aliona van der Horst

This article is available in English.

The 34th edition of the International Documentary Film Festival Amsterdam (IDFA), running from 17-28 November, has unveiled its selection. The festival’s line-up will feature 264 titles by filmmakers from over 80 countries.

?They are showing us how artistic freedom, courage and engagement with the world come in many different languages, styles and viewpoints. The documentary field is being confirmed as a future-proof art form that is unapologetically open, diverse and continuously developing. IDFA’s new program structure, as well as IDFA’s Filmmaker Support and Industry activities, is changing to reflect this,? said artistic director Orwa Nyrabiacalling the program ?worthy of our return to the cinemas?.

(The article continues below – Commercial information)

The main competition, including 14 titles, will boast the likes of Mr Landsbergis [+lire aussi :
critique
fiche film
]
by Sergei Loznitsathis time interested in Lithuania’s ?singing revolution?; Featured [+lire aussi :
bande-annonce
fiche film
]
by France’s Claudine Bories and Patrice Chagnard, which follows the life of a cow; and How the Room Felt by Georgia’s Ketevan Kapanadzeshowing a local women’s football team providing a safe space for LGBTQ+ people. Saeed Taji Farouky‘s A Thousand Fires [+lire aussi :
critique
bande-annonce
fiche film
]
(France/Switzerland/Netherlands/Palestine), Susana de Sousa Dias and Ansgar Schaefer‘s Journey to the Sun (Portugal), Aliona van der Horst‘s Turn Your Body to the Sun (Netherlands), Giovanni Bucomino‘s After a Revolution [+lire aussi :
critique
fiche film
]
(Italy/Libya), Qinyuan Lei‘s The One Who Runs Away Is the Ghost (Germany/China), Seydou Cisse‘s Taamaden (Mali/Cameroon/South Africa/France/Belgium), Kamar Ahmad Simon‘s Day after… (Bangladesh/France/Norway) and Ruslan Fedotow‘s Where Are We Headed (Belarus/Russia) are the other European (co-)productions in the section, which is rounded off by The Beach of Enchaquirados (Ecuador) by Ivan Mora Manzano, Children of the Mist (Vietnam) by Diem Ha Le and The Delights (Argentina) by Eduardo Crespo.

?These are films that use a clearly defined frame, but inside it, anything can happen. Artistically confident, well-rounded and universally relevant, each of these titles expresses an unparalleled cinematic mastery that is at once both intricate and effortless,? promised the organizers.

The festival will open with Four Journeys [+lire aussi :
critique
fiche film
]
the personal debut feature by Louis Hothothot. Born in China as an ?illegal? second child, Louis and his family suffered the devastating consequences at the hands of the authorities. The title will also be a part of IDFA’s new Envision Competition, gathering together 15 ?exploratory? films. They include Pim Zwier‘s O, Collecting Eggs Despite the Times [+lire aussi :
critique
fiche film
]
about a German ornithologist who devoted his life to the study of birds’ eggs; Tea Tupajic‘s Darkness There and Nothing More, in which two Dutch war veterans spend a night in conversation with the director; and Neary Adeline Hay‘s escape [+lire aussi :
bande-annonce
fiche film
]
a journey to the past of a camp of refugees fleeing from the Khmer Rouge regime.

Ten projects were chosen for the IDFA DocLab Competition for Digital Storytelling, as well as the non-competitive IDFA DocLab Spotlight section, including interactive and immersive highlights, and a one-off cinematic experience by a very special guest ? In Missing Pictures Episode 2: Tsai-Ming Liang, the Seven-Story Building, offering directors the opportunity to bring a lost project back to life in an animated virtual world, the Taiwanese director talks about his childhood memories that would be impossible for him to film. Finally, ten experiential projects by some of the world’s top immersive and interactive artists have been selected for the IDFA DocLab Competition for Immersive Non-Fiction.

?Within the selection, projects journey into speculative worlds, engaging all of our senses as they transform us into a post-human being; others merge augmented reality with the harsh texture of our current reality in crisis; several projects redefine live performance as immersive, shared experience; and still others take us literally outside, into nature, to reconnect with the world around us,? it was stated.

You can find the full line-up here.

(The article continues below – Commercial information)

We would love to say thanks to the writer of this post for this amazing web content

IDFA unveils its opening film and its competition selection

Other links: https://awardworld.net/resources/
) [summary] => 04/11/2021 – Four Journeys by Louis Hothothot will open the 34th edition of the festival, which will screen new films by Sergei Loznitsa and Aliona van der Horst This article is available in English. The 34th edition of the International Documentary Film Festival Amsterdam (IDFA), running from 17-28 November, has unveiled its selection. The festival’s ... Read more [atom_content] =>

Four Journeys by Louis Hothothot will open the 34th edition of the festival, which will screen new films by Sergei Loznitsa and Aliona van der Horst

This article is available in English.

The 34th edition of the International Documentary Film Festival Amsterdam (IDFA), running from 17-28 November, has unveiled its selection. The festival’s line-up will feature 264 titles by filmmakers from over 80 countries.

?They are showing us how artistic freedom, courage and engagement with the world come in many different languages, styles and viewpoints. The documentary field is being confirmed as a future-proof art form that is unapologetically open, diverse and continuously developing. IDFA’s new program structure, as well as IDFA’s Filmmaker Support and Industry activities, is changing to reflect this,? said artistic director Orwa Nyrabiacalling the program ?worthy of our return to the cinemas?.

(The article continues below – Commercial information)

The main competition, including 14 titles, will boast the likes of Mr Landsbergis [+lire aussi :
critique
fiche film
]
by Sergei Loznitsathis time interested in Lithuania’s ?singing revolution?; Featured [+lire aussi :
bande-annonce
fiche film
]
by France’s Claudine Bories and Patrice Chagnard, which follows the life of a cow; and How the Room Felt by Georgia’s Ketevan Kapanadzeshowing a local women’s football team providing a safe space for LGBTQ+ people. Saeed Taji Farouky‘s A Thousand Fires [+lire aussi :
critique
bande-annonce
fiche film
]
(France/Switzerland/Netherlands/Palestine), Susana de Sousa Dias and Ansgar Schaefer‘s Journey to the Sun (Portugal), Aliona van der Horst‘s Turn Your Body to the Sun (Netherlands), Giovanni Bucomino‘s After a Revolution [+lire aussi :
critique
fiche film
]
(Italy/Libya), Qinyuan Lei‘s The One Who Runs Away Is the Ghost (Germany/China), Seydou Cisse‘s Taamaden (Mali/Cameroon/South Africa/France/Belgium), Kamar Ahmad Simon‘s Day after… (Bangladesh/France/Norway) and Ruslan Fedotow‘s Where Are We Headed (Belarus/Russia) are the other European (co-)productions in the section, which is rounded off by The Beach of Enchaquirados (Ecuador) by Ivan Mora Manzano, Children of the Mist (Vietnam) by Diem Ha Le and The Delights (Argentina) by Eduardo Crespo.

?These are films that use a clearly defined frame, but inside it, anything can happen. Artistically confident, well-rounded and universally relevant, each of these titles expresses an unparalleled cinematic mastery that is at once both intricate and effortless,? promised the organizers.

The festival will open with Four Journeys [+lire aussi :
critique
fiche film
]
the personal debut feature by Louis Hothothot. Born in China as an ?illegal? second child, Louis and his family suffered the devastating consequences at the hands of the authorities. The title will also be a part of IDFA’s new Envision Competition, gathering together 15 ?exploratory? films. They include Pim Zwier‘s O, Collecting Eggs Despite the Times [+lire aussi :
critique
fiche film
]
about a German ornithologist who devoted his life to the study of birds’ eggs; Tea Tupajic‘s Darkness There and Nothing More, in which two Dutch war veterans spend a night in conversation with the director; and Neary Adeline Hay‘s escape [+lire aussi :
bande-annonce
fiche film
]
a journey to the past of a camp of refugees fleeing from the Khmer Rouge regime.

Ten projects were chosen for the IDFA DocLab Competition for Digital Storytelling, as well as the non-competitive IDFA DocLab Spotlight section, including interactive and immersive highlights, and a one-off cinematic experience by a very special guest ? In Missing Pictures Episode 2: Tsai-Ming Liang, the Seven-Story Building, offering directors the opportunity to bring a lost project back to life in an animated virtual world, the Taiwanese director talks about his childhood memories that would be impossible for him to film. Finally, ten experiential projects by some of the world’s top immersive and interactive artists have been selected for the IDFA DocLab Competition for Immersive Non-Fiction.

?Within the selection, projects journey into speculative worlds, engaging all of our senses as they transform us into a post-human being; others merge augmented reality with the harsh texture of our current reality in crisis; several projects redefine live performance as immersive, shared experience; and still others take us literally outside, into nature, to reconnect with the world around us,? it was stated.

You can find the full line-up here.

(The article continues below – Commercial information)

We would love to say thanks to the writer of this post for this amazing web content

IDFA unveils its opening film and its competition selection

Other links: https://awardworld.net/resources/
[date_timestamp] => 1644037655 ) [4] => Array ( [title] => The 2022 Fnac France Inter BD Prize reveals its five finalists [link] => https://awardworld.net/bafta-awards/the-2022-fnac-france-inter-bd-prize-reveals-its-five-finalists/ [dc] => Array ( [creator] => Leonard Florence ) [pubdate] => Sat, 05 Feb 2022 04:06:31 +0000 [category] => Bafta AwardsfinalistsFnacFranceInterPrizereveals [guid] => https://awardworld.net/?p=14236 [description] => The fourth edition of the Fnac France Inter Comic Book Prize revealed the names of its five finalist comic books on December 9. The winner will be announced on January 6 by Antoine de Caunes, live from the Popopop program. Sponsored by Antoine de Caunes since its creation, the Fnac France Inter Comics Prize aims ... Read more [content] => Array ( [encoded] =>

The fourth edition of the Fnac France Inter Comic Book Prize revealed the names of its five finalist comic books on December 9. The winner will be announced on January 6 by Antoine de Caunes, live from the Popopop program.

Sponsored by Antoine de Caunes since its creation, the Fnac France Inter Comics Prize aims to celebrate the ninth art in all its diversity and make it accessible to all audiences. The jury, chaired by the host of Popopop and bringing together Fnac journalists and booksellers around a common passion, will designate the lucky winner from among the five comic strips selected beforehand by the thirty members of the general public jury of the Prize, to which the twenty-two heart of Fnac booksellers. The winner will then be invited to receive their prize at the Maison de la radio et de la musique in Paris, then will see their work highlighted in Fnac stores and supported by France Inter. A Prize which recalls the role of cultural prescriber of these two French institutions which regularly show their support for current artistic creation. Last year, the Prize rewarded Carbon & Silicon (Ankama Éditions), the post-apocalyptic SF story by Mathieu Babet.

The finalists

1984 by Xavier Coste (ed. Sarbacane), published on 02/16/2021

A vertiginous adaptation of George Orwell’s dystopian classic published in 1949. A timeless and more current than ever masterpiece – it is to Orwell, for example, that we owe the concept of Newspeak – brilliantly adapted by Xavier Coste, whose the graphic palette evokes the chilling atmosphere of this control society where Big Brother always watches over the grain.

The Embrace by Jim and Laurent Bonneau (ed. Bamboo), published on 06/30/2021

From a simple photo of a young woman with wavy hair on a summer beach, Jim, comic book author, and Laurent Bonneau, scriptwriter, unfold a 300-page story about a sculptor and his model, who reinvents itself plank after plank. Intense and confusing.

1644033982 637 The 2022 Fnac France Inter BD Prize reveals its five

The Women’s Choir by Aude Mermilliod and (ed. Le Lombard), published on 04/23/2021

The graphic novel adapted from the eponymous book by Martin Winckler skilfully combines emotion and pedagogy and lifts the veil on gynecological care. After recounting her abortion in I have to tell you (Casterman, 2019), Aude Mermilliod returns with a poignant and humanist story that looks at women’s relationships with their bodies and also at the sensitive issue of intersex.

1644033982 734 The 2022 Fnac France Inter BD Prize reveals its five

Draw Coco still (ed. Les Arènes), published on 03/11/2021

The moving story of Coco, press cartoonist at Charlie Hebdo, who recounts page after page of her life after the Charlie Hebdo attacks of January 7, 2015 and her long road to reconstruction.

1644033982 777 The 2022 Fnac France Inter BD Prize reveals its five

sand days by Aimée de Jongh (ed. Dargaud), published on 05/21/2021

reminding Grapes of Wrath by John Steinbeck, this comic follows a young journalist witnessing the Dust Bowl and the catastrophic consequences on the farmers of the affected region, between Oklahoma, Kansas and Texas. The author thus revives these photographs from the 1930s that have since been printed in the collective imagination and produces a fascinating reflection on the very notion of frame.

1644033982 818 The 2022 Fnac France Inter BD Prize reveals its five

We wish to say thanks to the author of this article for this remarkable content

The 2022 Fnac France Inter BD Prize reveals its five finalists

Other links: https://awardworld.net/resources/
) [summary] => The fourth edition of the Fnac France Inter Comic Book Prize revealed the names of its five finalist comic books on December 9. The winner will be announced on January 6 by Antoine de Caunes, live from the Popopop program. Sponsored by Antoine de Caunes since its creation, the Fnac France Inter Comics Prize aims ... Read more [atom_content] =>

The fourth edition of the Fnac France Inter Comic Book Prize revealed the names of its five finalist comic books on December 9. The winner will be announced on January 6 by Antoine de Caunes, live from the Popopop program.

Sponsored by Antoine de Caunes since its creation, the Fnac France Inter Comics Prize aims to celebrate the ninth art in all its diversity and make it accessible to all audiences. The jury, chaired by the host of Popopop and bringing together Fnac journalists and booksellers around a common passion, will designate the lucky winner from among the five comic strips selected beforehand by the thirty members of the general public jury of the Prize, to which the twenty-two heart of Fnac booksellers. The winner will then be invited to receive their prize at the Maison de la radio et de la musique in Paris, then will see their work highlighted in Fnac stores and supported by France Inter. A Prize which recalls the role of cultural prescriber of these two French institutions which regularly show their support for current artistic creation. Last year, the Prize rewarded Carbon & Silicon (Ankama Éditions), the post-apocalyptic SF story by Mathieu Babet.

The finalists

1984 by Xavier Coste (ed. Sarbacane), published on 02/16/2021

A vertiginous adaptation of George Orwell’s dystopian classic published in 1949. A timeless and more current than ever masterpiece – it is to Orwell, for example, that we owe the concept of Newspeak – brilliantly adapted by Xavier Coste, whose the graphic palette evokes the chilling atmosphere of this control society where Big Brother always watches over the grain.

The Embrace by Jim and Laurent Bonneau (ed. Bamboo), published on 06/30/2021

From a simple photo of a young woman with wavy hair on a summer beach, Jim, comic book author, and Laurent Bonneau, scriptwriter, unfold a 300-page story about a sculptor and his model, who reinvents itself plank after plank. Intense and confusing.

1644033982 637 The 2022 Fnac France Inter BD Prize reveals its five

The Women’s Choir by Aude Mermilliod and (ed. Le Lombard), published on 04/23/2021

The graphic novel adapted from the eponymous book by Martin Winckler skilfully combines emotion and pedagogy and lifts the veil on gynecological care. After recounting her abortion in I have to tell you (Casterman, 2019), Aude Mermilliod returns with a poignant and humanist story that looks at women’s relationships with their bodies and also at the sensitive issue of intersex.

1644033982 734 The 2022 Fnac France Inter BD Prize reveals its five

Draw Coco still (ed. Les Arènes), published on 03/11/2021

The moving story of Coco, press cartoonist at Charlie Hebdo, who recounts page after page of her life after the Charlie Hebdo attacks of January 7, 2015 and her long road to reconstruction.

1644033982 777 The 2022 Fnac France Inter BD Prize reveals its five

sand days by Aimée de Jongh (ed. Dargaud), published on 05/21/2021

reminding Grapes of Wrath by John Steinbeck, this comic follows a young journalist witnessing the Dust Bowl and the catastrophic consequences on the farmers of the affected region, between Oklahoma, Kansas and Texas. The author thus revives these photographs from the 1930s that have since been printed in the collective imagination and produces a fascinating reflection on the very notion of frame.

1644033982 818 The 2022 Fnac France Inter BD Prize reveals its five

We wish to say thanks to the author of this article for this remarkable content

The 2022 Fnac France Inter BD Prize reveals its five finalists

Other links: https://awardworld.net/resources/
[date_timestamp] => 1644033991 ) [5] => Array ( [title] => Journey to the center of the nanoworld [link] => https://awardworld.net/nobel-prize/journey-to-the-center-of-the-nanoworld/ [dc] => Array ( [creator] => David Armstrong ) [pubdate] => Sat, 05 Feb 2022 03:59:22 +0000 [category] => Nobel PrizecenterJourneynanoworld [guid] => https://awardworld.net/?p=14233 [description] => In all versions that the versatile Philip Roth published of the long conversation he had in 1986 with Primo Levi, the American journalist and writer expressed his admiration for the Italian chemist and thinker, survivor and essential testimony of the Holocaust. Roth gave him praise and words that distilled a humility very unusual in one ... Read more [content] => Array ( [encoded] =>

In all versions that the versatile Philip Roth published of the long conversation he had in 1986 with Primo Levi, the American journalist and writer expressed his admiration for the Italian chemist and thinker, survivor and essential testimony of the Holocaust. Roth gave him praise and words that distilled a humility very unusual in one who used to treat mediocrity with undisguised disdain.

Roth and Levi, both Jews, had met in London in April of that year, at the headquarters of the Italian Institute of Culture, at 39 Belgrave Square. Five months later, Roth and his then second wife, Claire Blooman actress for whom Levi admitted feeling devotion, they traveled to Turin and interviewed him for The New York Times Review.

The resulting portrait of Primo Levi was that of a chemical artist rather than a chemical writer. Scientific research, it is true, has a lot of trade. But also creative art. In the Italian version of that talk that he published The stampRoth said of Levi that he was among the most intellectually gifted artists of the 20th century.

Levi has been one of the writers who have best adapted to the environment that surrounded him. His vocation was scientific, but also possible. That is why he was the manager of a painting company. He Italian of Jewish race he adapted to survive Auschwitz for a year and, later, to tell it starkly, honestly and without presenting himself as a victim. I recomend you if this is a Manpublished in 1947.

Primo Levi was one of those kind of writers who know how to listen. From that ability to listen, one of the great books of popular science emerged, the periodic systemin which the reader discovers the world through chemical elements.

For some of these virtues, for his moral authority and for the impact he had on me, I decided that this column that is born today would be called “El Club de Levi”. And that’s how it would have ended if it weren’t aware that the readers of D+I – El Español expect their columnists to open windows to the latest in technology, research and opportunities to generate knowledge and wealth.

In this spirit, I propose a fortnightly trip through some of the frontiers of science, but from a special attachment to chemistry and the enormous possibilities that nanotechnology is offering in all imaginable sectors: from medicine to electronics, passing through practically all industrial activity, still myopic before the universe of advanced materials.

It is no coincidence, for example, that the so-called complementary plans of the Ministry of Science and Innovationthe eight major strategic areas in long-term research for Spain, include Advanced Materials together with Biotechnology applied to health, Quantum Communication, Agro-food, Astrophysics and high-energy physics, Marine Sciences or Renewable Energy and Hydrogen.

Imagine that journey to the nanoworld as an elevator ride from our macroworld to a tiny reality, invisible and only perceptible to Atomic Force Microscopes (AFM) or Scanning Tunneling Microscopes (STM). To get to it, you have to go through the ?micro? world, that of a flea, a hair, a cell or a bacterium, observable with optical microscopy. The nanoworld is that of viruses, DNA, atoms or subatomic particles. We cross the frontier of classical mechanics and enter the quantum universe.

The physical Richard Feynmanfather of this change of perspective towards the nano universe, summed it up in a talk he gave in 1959 and titled There’s plenty of room at the bottom? (There’s plenty of room down there.) ?Why can’t we write the 24 volumes of the Encyclopedia Britannica on the head of a pin?? she asked herself rhetorically before the scientific community. Today there are already MOFs (metal-organic frameworks), new materials with nanoscopic pores that in a single gram have a storage surface that would cover 1.3 football fields. Balancing the size and mass of hydrogen or methane, those MOF pores, for example, could store huge amounts of these gases.

An example of good vision is that the University of Valencia has just entered for the first time in its history in the social capital of a spinoff. Its activity will be consultancy, production and distribution of this type of material. His name is PMA and it is led by the researcher Carlos Martí-Gastaldo and part of his team at the Institute of Molecular Science (ICMol) of the said university.

Only a handful of companies worldwide are dedicated to this very promising field of chemistry. It still doesn’t sound like much, it’s true. The same thing happened with graphene, known since the 1950s, but which did not become popular until the 2010 Nobel Prize for Physics went to researchers from the University of Manchester Andre K Geim Y Konstantin Novoselov for his discovery of the technique to isolate this material.

Apart from those who think that the graphene phenomenon is artificially swollen, we must be attentive to the evolution of the companies that are dedicated to MOFs. giants like BASF or the pharmacist Merck, whose CEO is the Spanish Belén Garijo, are already strongly committed to it. How quickly MOFs are incorporated into industrial processes remains to be seen. But there are already relevant figures: the Spanish Nanotechnology Network integrates 376 research groups and more than 4,500 researchers in centers such as the Nanogune basque, the ICN2 Catalan or the IMDEA Nanoscience from Madrid.

In that other reality, on a scale of millionths of a millimeter, the properties of substances change and everything imaginable can be built in it, like a brilliant architecture based on Lego pieces that can be studied, modified and even programmed molecule by molecule. molecule. And, further, atom by atom. The key to chemistry is no longer so much to make molecules react, but to control them one by one.

This revolution, still unknown to a large majority, requires a change in the way of thinking and interpreting reality. A simple way to do it is incorporate the prefix “nano” to the areas of knowledge that are generated. It is no longer so strange to hear about nanomedicine, nanoelectronics or nanomagnetism. But get ready to listen to others like spintronics or magnonics, keys to the electronics revolution.

In various interviews recently published in Spanish media, including The Spanishthe Spanish neurobiologist Rafael Yuste, coordinator of the Brain project, announced a world ten years from now in which the implantation of biosensors in the human body capable of offering new technological possibilities to the human being will not be strange.

Before men like Yuste I propose that, like Primo Levi, they know how to listen. Among his most recent reflections, I am left with one that fits like a glove to the trip that I propose. Computing will not only allow any human being to expand their memory, multiply their calculation capacity or speak different languages. But also the dream of any scientist to imagine new molecules. And, with it, an entire artificial world. Welcome to Levi’s Nanoclub.

We wish to give thanks to the author of this article for this remarkable web content

Journey to the center of the nanoworld

Other links: https://awardworld.net/resources/
) [summary] => In all versions that the versatile Philip Roth published of the long conversation he had in 1986 with Primo Levi, the American journalist and writer expressed his admiration for the Italian chemist and thinker, survivor and essential testimony of the Holocaust. Roth gave him praise and words that distilled a humility very unusual in one ... Read more [atom_content] =>

In all versions that the versatile Philip Roth published of the long conversation he had in 1986 with Primo Levi, the American journalist and writer expressed his admiration for the Italian chemist and thinker, survivor and essential testimony of the Holocaust. Roth gave him praise and words that distilled a humility very unusual in one who used to treat mediocrity with undisguised disdain.

Roth and Levi, both Jews, had met in London in April of that year, at the headquarters of the Italian Institute of Culture, at 39 Belgrave Square. Five months later, Roth and his then second wife, Claire Blooman actress for whom Levi admitted feeling devotion, they traveled to Turin and interviewed him for The New York Times Review.

The resulting portrait of Primo Levi was that of a chemical artist rather than a chemical writer. Scientific research, it is true, has a lot of trade. But also creative art. In the Italian version of that talk that he published The stampRoth said of Levi that he was among the most intellectually gifted artists of the 20th century.

Levi has been one of the writers who have best adapted to the environment that surrounded him. His vocation was scientific, but also possible. That is why he was the manager of a painting company. He Italian of Jewish race he adapted to survive Auschwitz for a year and, later, to tell it starkly, honestly and without presenting himself as a victim. I recomend you if this is a Manpublished in 1947.

Primo Levi was one of those kind of writers who know how to listen. From that ability to listen, one of the great books of popular science emerged, the periodic systemin which the reader discovers the world through chemical elements.

For some of these virtues, for his moral authority and for the impact he had on me, I decided that this column that is born today would be called “El Club de Levi”. And that’s how it would have ended if it weren’t aware that the readers of D+I – El Español expect their columnists to open windows to the latest in technology, research and opportunities to generate knowledge and wealth.

In this spirit, I propose a fortnightly trip through some of the frontiers of science, but from a special attachment to chemistry and the enormous possibilities that nanotechnology is offering in all imaginable sectors: from medicine to electronics, passing through practically all industrial activity, still myopic before the universe of advanced materials.

It is no coincidence, for example, that the so-called complementary plans of the Ministry of Science and Innovationthe eight major strategic areas in long-term research for Spain, include Advanced Materials together with Biotechnology applied to health, Quantum Communication, Agro-food, Astrophysics and high-energy physics, Marine Sciences or Renewable Energy and Hydrogen.

Imagine that journey to the nanoworld as an elevator ride from our macroworld to a tiny reality, invisible and only perceptible to Atomic Force Microscopes (AFM) or Scanning Tunneling Microscopes (STM). To get to it, you have to go through the ?micro? world, that of a flea, a hair, a cell or a bacterium, observable with optical microscopy. The nanoworld is that of viruses, DNA, atoms or subatomic particles. We cross the frontier of classical mechanics and enter the quantum universe.

The physical Richard Feynmanfather of this change of perspective towards the nano universe, summed it up in a talk he gave in 1959 and titled There’s plenty of room at the bottom? (There’s plenty of room down there.) ?Why can’t we write the 24 volumes of the Encyclopedia Britannica on the head of a pin?? she asked herself rhetorically before the scientific community. Today there are already MOFs (metal-organic frameworks), new materials with nanoscopic pores that in a single gram have a storage surface that would cover 1.3 football fields. Balancing the size and mass of hydrogen or methane, those MOF pores, for example, could store huge amounts of these gases.

An example of good vision is that the University of Valencia has just entered for the first time in its history in the social capital of a spinoff. Its activity will be consultancy, production and distribution of this type of material. His name is PMA and it is led by the researcher Carlos Martí-Gastaldo and part of his team at the Institute of Molecular Science (ICMol) of the said university.

Only a handful of companies worldwide are dedicated to this very promising field of chemistry. It still doesn’t sound like much, it’s true. The same thing happened with graphene, known since the 1950s, but which did not become popular until the 2010 Nobel Prize for Physics went to researchers from the University of Manchester Andre K Geim Y Konstantin Novoselov for his discovery of the technique to isolate this material.

Apart from those who think that the graphene phenomenon is artificially swollen, we must be attentive to the evolution of the companies that are dedicated to MOFs. giants like BASF or the pharmacist Merck, whose CEO is the Spanish Belén Garijo, are already strongly committed to it. How quickly MOFs are incorporated into industrial processes remains to be seen. But there are already relevant figures: the Spanish Nanotechnology Network integrates 376 research groups and more than 4,500 researchers in centers such as the Nanogune basque, the ICN2 Catalan or the IMDEA Nanoscience from Madrid.

In that other reality, on a scale of millionths of a millimeter, the properties of substances change and everything imaginable can be built in it, like a brilliant architecture based on Lego pieces that can be studied, modified and even programmed molecule by molecule. molecule. And, further, atom by atom. The key to chemistry is no longer so much to make molecules react, but to control them one by one.

This revolution, still unknown to a large majority, requires a change in the way of thinking and interpreting reality. A simple way to do it is incorporate the prefix “nano” to the areas of knowledge that are generated. It is no longer so strange to hear about nanomedicine, nanoelectronics or nanomagnetism. But get ready to listen to others like spintronics or magnonics, keys to the electronics revolution.

In various interviews recently published in Spanish media, including The Spanishthe Spanish neurobiologist Rafael Yuste, coordinator of the Brain project, announced a world ten years from now in which the implantation of biosensors in the human body capable of offering new technological possibilities to the human being will not be strange.

Before men like Yuste I propose that, like Primo Levi, they know how to listen. Among his most recent reflections, I am left with one that fits like a glove to the trip that I propose. Computing will not only allow any human being to expand their memory, multiply their calculation capacity or speak different languages. But also the dream of any scientist to imagine new molecules. And, with it, an entire artificial world. Welcome to Levi’s Nanoclub.

We wish to give thanks to the author of this article for this remarkable web content

Journey to the center of the nanoworld

Other links: https://awardworld.net/resources/
[date_timestamp] => 1644033562 ) [6] => Array ( [title] => Plebiscite for Murina at the Brussels Mediterranean Film Festival [link] => https://awardworld.net/bafta-awards/plebiscite-for-murina-at-the-brussels-mediterranean-film-festival/ [dc] => Array ( [creator] => Leonard Florence ) [pubdate] => Sat, 05 Feb 2022 03:05:03 +0000 [category] => Bafta AwardsBrusselsFestivalfilmMediterraneanMurinaPlebiscite [guid] => https://awardworld.net/?p=14230 [description] => 13/12/2021 – The first feature film by Croatian director Antoneta Alamat Kusijanovi? won three prizes at this 21st edition of the festival Director of Antoneta Alamat Kusijanovi? with her awards for Murina (© Jules Toulet) Full house at 21and Cinémamed – Brussels Mediterranean Film Festival for the Croatian filmmaker Antoneta Alamat Kusijanovic who won the ... Read more [content] => Array ( [encoded] =>

– The first feature film by Croatian director Antoneta Alamat Kusijanovi? won three prizes at this 21st edition of the festival

Director of Antoneta Alamat Kusijanovi? with her awards for Murina (© Jules Toulet)

Full house at 21and Cinémamed – Brussels Mediterranean Film Festival for the Croatian filmmaker Antoneta Alamat Kusijanovic who won the Grand Prize, the Cineuropa Prize ex-aequo, and the Special Mention of the Critics’ Jury for his first feature film, Murina [+lire aussi :
critique
bande-annonce
interview : Antoneta Alamat Kusijanovi?
fiche film
]
.

Discovered this summer at the Quinzaine des Réalisateurs, where the film won the prestigious Camera d’Or, Murina follows the emancipation journey of a young woman determined to take her destiny into her own hands. Julija, a feisty teenager, and Ante, her bossy father, live a quiet but isolated existence on a Croatian island. As Ante tries to negotiate a deal that may change their lives, a visit from an old family friend stirs up tensions. Julija sees the opportunity for a new future in the visitor’s arrival and these few days bear the mark of desire and violence.

(The article continues below – Commercial information)

The film therefore received the Grand Prize in the Official Competition. The Jury also chose to award its Special Prize to the Greek film Apples [+lire aussi :
critique
bande-annonce
interview : Christos Nikou
fiche film
]
of Christos Nikou, discovered in the summer of 2020 at the Venice Festival in the Orizzonti section, and has already won awards all over the world, from Chicago to Dublin, via Seville or Ljubljana. A Special Mention was also awarded to To Chiara [+lire aussi :
critique
bande-annonce
interview : Jonas Carpignano
fiche film
]
of Jonas Carpignano.

The films in the Official Competition were also submitted to the scrutiny of two other juries, that of the Critics, which also distinguished Apples (Grand Prize) and Murina (Special Mention), and the Cineuropa Jury, who chose to reward ex-aequo Murinaso, as well as Winter [+lire aussi :
critique
bande-annonce
interview : Blerta Basholli
fiche film
]
the first feature film by the Kosovar filmmaker Blerta Bashollidestiny of a woman there too, of another generation, which follows the emancipation of Fahrije, a war widow, who frees herself to meet the needs of her family.

New this year, the Festival highlighted the younger generations through a brand new section, RêVolution. Its Grand Prize was awarded once again to a first film, My brothers and me [+lire aussi :
critique
bande-annonce
fiche film
]
of the French actor and filmmaker Yohan Manca, presented in the Un certain regard section this summer at Cannes. A great spotlight for the film which will be released on January 5 in Belgium. The RêVolution Jury also awarded a Special Mention to the Italian film California [+lire aussi :
critique
bande-annonce
interview : Alessandro Cassigoli et Ca?
fiche film
]
ofAlessandro Cassigoli and Casey Kauffman.

Finally, we note that the Young Jury Prize was awarded to the Franco-Turkish film The Terrible Children [+lire aussi :
critique
bande-annonce
fiche film
]
of Ahmet Necdet Cupurwhile the Audience Award went to the second feature film by the young French actress and filmmaker Hafsia Herzi, Good mother [+lire aussi :
critique
bande-annonce
interview : Hafsia Herzi
fiche film
]
.

Palmares :

Official competition

Grand Prize
Murina [+lire aussi :
critique
bande-annonce
interview : Antoneta Alamat Kusijanovi?
fiche film
]
– Antoneta Alamat Kusijanovi? (Croatia/Brazil/USA/Slovenia)

Special Jury Prize
Apples [+lire aussi :
critique
bande-annonce
interview : Christos Nikou
fiche film
]
– Christos Nikou (Greece/Poland/Slovenia)

Special Jury Mention
To Chiara [+lire aussi :
critique
bande-annonce
interview : Jonas Carpignano
fiche film
]
– Jonas Carpignano (Italy/France)

RêVolution Competition

RêVolution Prize
My brothers and me [+lire aussi :
critique
bande-annonce
fiche film
]
– Yohan Manca (France)

Special Mention from the RêVolution Jury
California [+lire aussi :
critique
bande-annonce
interview : Alessandro Cassigoli et Ca?
fiche film
]
– Alessandro Cassigoli & Casey Kauffman (Italy)

Other prices

Cineuropa Prize (ex-aequo)
Winter [+lire aussi :
critique
bande-annonce
interview : Blerta Basholli
fiche film
]
– Blerta Basholli (Kosovo/Switzerland/North Macedonia/Albania)
Murina – Antoneta Alamat Kusijanovic

Critics’ Prize
Apples -Christos Nikou
Special mention
Murina – Antoneta Alamat Kusijanovic

Young Jury Prize
The Terrible Children [+lire aussi :
critique
bande-annonce
fiche film
]
– Ahmet Necdet Çupur (France/Turkey/Germany)

Audience Award
Good mother [+lire aussi :
critique
bande-annonce
interview : Hafsia Herzi
fiche film
]
– Hafsia Herzi (France)

(The article continues below – Commercial information)

We want to thank the writer of this article for this outstanding content

Plebiscite for Murina at the Brussels Mediterranean Film Festival

Other links: https://awardworld.net/resources/
) [summary] => 13/12/2021 – The first feature film by Croatian director Antoneta Alamat Kusijanovi? won three prizes at this 21st edition of the festival Director of Antoneta Alamat Kusijanovi? with her awards for Murina (© Jules Toulet) Full house at 21and Cinémamed – Brussels Mediterranean Film Festival for the Croatian filmmaker Antoneta Alamat Kusijanovic who won the ... Read more [atom_content] =>

– The first feature film by Croatian director Antoneta Alamat Kusijanovi? won three prizes at this 21st edition of the festival

Director of Antoneta Alamat Kusijanovi? with her awards for Murina (© Jules Toulet)

Full house at 21and Cinémamed – Brussels Mediterranean Film Festival for the Croatian filmmaker Antoneta Alamat Kusijanovic who won the Grand Prize, the Cineuropa Prize ex-aequo, and the Special Mention of the Critics’ Jury for his first feature film, Murina [+lire aussi :
critique
bande-annonce
interview : Antoneta Alamat Kusijanovi?
fiche film
]
.

Discovered this summer at the Quinzaine des Réalisateurs, where the film won the prestigious Camera d’Or, Murina follows the emancipation journey of a young woman determined to take her destiny into her own hands. Julija, a feisty teenager, and Ante, her bossy father, live a quiet but isolated existence on a Croatian island. As Ante tries to negotiate a deal that may change their lives, a visit from an old family friend stirs up tensions. Julija sees the opportunity for a new future in the visitor’s arrival and these few days bear the mark of desire and violence.

(The article continues below – Commercial information)

The film therefore received the Grand Prize in the Official Competition. The Jury also chose to award its Special Prize to the Greek film Apples [+lire aussi :
critique
bande-annonce
interview : Christos Nikou
fiche film
]
of Christos Nikou, discovered in the summer of 2020 at the Venice Festival in the Orizzonti section, and has already won awards all over the world, from Chicago to Dublin, via Seville or Ljubljana. A Special Mention was also awarded to To Chiara [+lire aussi :
critique
bande-annonce
interview : Jonas Carpignano
fiche film
]
of Jonas Carpignano.

The films in the Official Competition were also submitted to the scrutiny of two other juries, that of the Critics, which also distinguished Apples (Grand Prize) and Murina (Special Mention), and the Cineuropa Jury, who chose to reward ex-aequo Murinaso, as well as Winter [+lire aussi :
critique
bande-annonce
interview : Blerta Basholli
fiche film
]
the first feature film by the Kosovar filmmaker Blerta Bashollidestiny of a woman there too, of another generation, which follows the emancipation of Fahrije, a war widow, who frees herself to meet the needs of her family.

New this year, the Festival highlighted the younger generations through a brand new section, RêVolution. Its Grand Prize was awarded once again to a first film, My brothers and me [+lire aussi :
critique
bande-annonce
fiche film
]
of the French actor and filmmaker Yohan Manca, presented in the Un certain regard section this summer at Cannes. A great spotlight for the film which will be released on January 5 in Belgium. The RêVolution Jury also awarded a Special Mention to the Italian film California [+lire aussi :
critique
bande-annonce
interview : Alessandro Cassigoli et Ca?
fiche film
]
ofAlessandro Cassigoli and Casey Kauffman.

Finally, we note that the Young Jury Prize was awarded to the Franco-Turkish film The Terrible Children [+lire aussi :
critique
bande-annonce
fiche film
]
of Ahmet Necdet Cupurwhile the Audience Award went to the second feature film by the young French actress and filmmaker Hafsia Herzi, Good mother [+lire aussi :
critique
bande-annonce
interview : Hafsia Herzi
fiche film
]
.

Palmares :

Official competition

Grand Prize
Murina [+lire aussi :
critique
bande-annonce
interview : Antoneta Alamat Kusijanovi?
fiche film
]
– Antoneta Alamat Kusijanovi? (Croatia/Brazil/USA/Slovenia)

Special Jury Prize
Apples [+lire aussi :
critique
bande-annonce
interview : Christos Nikou
fiche film
]
– Christos Nikou (Greece/Poland/Slovenia)

Special Jury Mention
To Chiara [+lire aussi :
critique
bande-annonce
interview : Jonas Carpignano
fiche film
]
– Jonas Carpignano (Italy/France)

RêVolution Competition

RêVolution Prize
My brothers and me [+lire aussi :
critique
bande-annonce
fiche film
]
– Yohan Manca (France)

Special Mention from the RêVolution Jury
California [+lire aussi :
critique
bande-annonce
interview : Alessandro Cassigoli et Ca?
fiche film
]
– Alessandro Cassigoli & Casey Kauffman (Italy)

Other prices

Cineuropa Prize (ex-aequo)
Winter [+lire aussi :
critique
bande-annonce
interview : Blerta Basholli
fiche film
]
– Blerta Basholli (Kosovo/Switzerland/North Macedonia/Albania)
Murina – Antoneta Alamat Kusijanovic

Critics’ Prize
Apples -Christos Nikou
Special mention
Murina – Antoneta Alamat Kusijanovic

Young Jury Prize
The Terrible Children [+lire aussi :
critique
bande-annonce
fiche film
]
– Ahmet Necdet Çupur (France/Turkey/Germany)

Audience Award
Good mother [+lire aussi :
critique
bande-annonce
interview : Hafsia Herzi
fiche film
]
– Hafsia Herzi (France)

(The article continues below – Commercial information)

We want to thank the writer of this article for this outstanding content

Plebiscite for Murina at the Brussels Mediterranean Film Festival

Other links: https://awardworld.net/resources/
[date_timestamp] => 1644030303 ) [7] => Array ( [title] => Deezer increases the price of its subscriptions in France [link] => https://awardworld.net/bafta-awards/deezer-increases-the-price-of-its-subscriptions-in-france/ [dc] => Array ( [creator] => Leonard Florence ) [pubdate] => Sat, 05 Feb 2022 02:04:28 +0000 [category] => Bafta AwardsDeezerFranceincreasespricesubscriptions [guid] => https://awardworld.net/?p=14227 [description] => The French music streaming platform is preparing to raise its prices for the first time since its creation. In return, subscribers will benefit from high quality sound. Explanations. Starting January 18, 2022, Deezer subscriptions will cost more. The French music streaming platform has indeed decided to increase its prices for the first time since 2009. ... Read more [content] => Array ( [encoded] =>

The French music streaming platform is preparing to raise its prices for the first time since its creation. In return, subscribers will benefit from high quality sound. Explanations.

Starting January 18, 2022, Deezer subscriptions will cost more. The French music streaming platform has indeed decided to increase its prices for the first time since 2009. Next year, the individual monthly subscription (Deezer Premium) will increase from 9.99 euros to 10.99 euros while the family formula (Deezer Family) will cost 3 euros more, or 17.99 euros instead of 14.99 euros. These increases, of 10% and 20% respectively, are accompanied by a merger of the Premium Hi-Fi formulas in order to offer high-fidelity sound (FLAC format, 16 bits/44.1 kHz) to all users. paying.

Asked by France InfoLouis-Alexis de Gemini, former general manager of Deezer France and new international marketing manager for the group, confirms this increase: ?A premium subscription will cost eleven euros instead of ten, a family subscription will cost 18 euros instead of 15 (?) After twelve years, we need to continue to invest in the application, in its content, and to that we need from our customers?. Also asked about this by Le Figarohe ensures that “Deezer must invest to consolidate its development in France and continue its international expansion”. With 4.2 million subscribers, the tricolor service now claims the number one status for audio streaming in France,

A few months after explaining that ?Deezer has[vait] already lost the battle for the world’s top spot in music streaming”, the platform had to react to the announcements of its main competitors. The battle has been raging for several months and high definition streaming has become one of the major arguments of several services. If the Swedish giant Spotify (or Google) continues to turn a deaf ear, the American services Apple Music, Amazon Music and more recently Tidal (a European service that has become American) have greatly improved their offer over the past twelve months. The Cupertino company launched hostilities by offering its subscribers better sound quality, at no additional cost. Amazon had reacted even before the arrival of Apple’s new offer by lowering the price of its HD offer.

In France, Qobuz also unveiled a new price list while Deezer offered hi-fi quality in its Family offer. For Deezer HiFi subscribers, we also note that this announcement is interesting since the Hi-Fi offer at 14.99 euros disappears in favor of the Premium offer at 10.99 euros while the Family HiFi offer (with six accounts) at 19.99 euros will join the formula at 17.99 euros. Even if the changes are scheduled for January 18, 2022, these HiFi formulas have already disappeared from the Deezer site.

The risk of raising prices

For subscribers to classic formulas, the subscription becomes more expensive and several competitors offer an HD offer up to 24 bits/192 KHz. The addition of the Hi-Fi offer is not necessarily interesting for everyone, many are those who cannot tell the difference between AAC (256 kb/s) or MP3 (320 kb/s) and lossless music. You need the right equipment to really see a difference.

If the movement operated by Deezer may seem risky, the firm which employs 600 people defends itself and is already advancing its arguments. ?This price increase will benefit 70% of the artists, authors, composers, producers and performers we support. There is also a desire for solidarity with the music industry?, says Louis-Alexis de Gemini. He adds that Deezer is “the leading funder of musical creation in France, to the tune of almost 200 million euros last year”. Finally, the French group indicates that it has ?need to earn some more money? to continue to develop and offer a quality service to its subscribers.

We wish to say thanks to the author of this short article for this incredible content

Deezer increases the price of its subscriptions in France

Other links: https://awardworld.net/resources/
) [summary] => The French music streaming platform is preparing to raise its prices for the first time since its creation. In return, subscribers will benefit from high quality sound. Explanations. Starting January 18, 2022, Deezer subscriptions will cost more. The French music streaming platform has indeed decided to increase its prices for the first time since 2009. ... Read more [atom_content] =>

The French music streaming platform is preparing to raise its prices for the first time since its creation. In return, subscribers will benefit from high quality sound. Explanations.

Starting January 18, 2022, Deezer subscriptions will cost more. The French music streaming platform has indeed decided to increase its prices for the first time since 2009. Next year, the individual monthly subscription (Deezer Premium) will increase from 9.99 euros to 10.99 euros while the family formula (Deezer Family) will cost 3 euros more, or 17.99 euros instead of 14.99 euros. These increases, of 10% and 20% respectively, are accompanied by a merger of the Premium Hi-Fi formulas in order to offer high-fidelity sound (FLAC format, 16 bits/44.1 kHz) to all users. paying.

Asked by France InfoLouis-Alexis de Gemini, former general manager of Deezer France and new international marketing manager for the group, confirms this increase: ?A premium subscription will cost eleven euros instead of ten, a family subscription will cost 18 euros instead of 15 (?) After twelve years, we need to continue to invest in the application, in its content, and to that we need from our customers?. Also asked about this by Le Figarohe ensures that “Deezer must invest to consolidate its development in France and continue its international expansion”. With 4.2 million subscribers, the tricolor service now claims the number one status for audio streaming in France,

A few months after explaining that ?Deezer has[vait] already lost the battle for the world’s top spot in music streaming”, the platform had to react to the announcements of its main competitors. The battle has been raging for several months and high definition streaming has become one of the major arguments of several services. If the Swedish giant Spotify (or Google) continues to turn a deaf ear, the American services Apple Music, Amazon Music and more recently Tidal (a European service that has become American) have greatly improved their offer over the past twelve months. The Cupertino company launched hostilities by offering its subscribers better sound quality, at no additional cost. Amazon had reacted even before the arrival of Apple’s new offer by lowering the price of its HD offer.

In France, Qobuz also unveiled a new price list while Deezer offered hi-fi quality in its Family offer. For Deezer HiFi subscribers, we also note that this announcement is interesting since the Hi-Fi offer at 14.99 euros disappears in favor of the Premium offer at 10.99 euros while the Family HiFi offer (with six accounts) at 19.99 euros will join the formula at 17.99 euros. Even if the changes are scheduled for January 18, 2022, these HiFi formulas have already disappeared from the Deezer site.

The risk of raising prices

For subscribers to classic formulas, the subscription becomes more expensive and several competitors offer an HD offer up to 24 bits/192 KHz. The addition of the Hi-Fi offer is not necessarily interesting for everyone, many are those who cannot tell the difference between AAC (256 kb/s) or MP3 (320 kb/s) and lossless music. You need the right equipment to really see a difference.

If the movement operated by Deezer may seem risky, the firm which employs 600 people defends itself and is already advancing its arguments. ?This price increase will benefit 70% of the artists, authors, composers, producers and performers we support. There is also a desire for solidarity with the music industry?, says Louis-Alexis de Gemini. He adds that Deezer is “the leading funder of musical creation in France, to the tune of almost 200 million euros last year”. Finally, the French group indicates that it has ?need to earn some more money? to continue to develop and offer a quality service to its subscribers.

We wish to say thanks to the author of this short article for this incredible content

Deezer increases the price of its subscriptions in France

Other links: https://awardworld.net/resources/
[date_timestamp] => 1644026668 ) [8] => Array ( [title] => Javier Milei is one of the most influential economists, according to a US study [link] => https://awardworld.net/nobel-prize/javier-milei-is-one-of-the-most-influential-economists-according-to-a-us-study/ [dc] => Array ( [creator] => David Armstrong ) [pubdate] => Sat, 05 Feb 2022 00:57:59 +0000 [category] => Nobel PrizeeconomistsinfluentialJavierMileistudy [guid] => https://awardworld.net/?p=14224 [description] => The national deputy Javier Milei occupies one of the podium positions of the most influential economists in Spanish-speaking countries and the United States. This is indicated by a report from Johns Hopkins University, which is based in Baltimore, Maryland. The Argentine economist is located behind the 2008 Nobel Prize in Economics, Paul Krugman, and surpasses ... Read more [content] => Array ( [encoded] =>

The national deputy Javier Milei occupies one of the podium positions of the most influential economists in Spanish-speaking countries and the United States. This is indicated by a report from Johns Hopkins University, which is based in Baltimore, Maryland.

The Argentine economist is located behind the 2008 Nobel Prize in Economics, Paul Krugman, and surpasses other recognized global referents, such as Nouriel Roubini, Steve Hanke, Dani Rodrik, Xavier Sala i-Martín, the Brazilian Henrique Meirelles, Joseph Stiglitz, Nobel Prize of Economy 2001 and his disciple and current Argentine Minister of Economy, Martín Guzmán.

The study explains: “The main Latin American influencer at a global level is Milei, closely followed by the Chilean Axel Kaiser, another prominent pro-market communicator.”

It is worth mentioning that the study was carried out by the Institute of Applied Economics, Global Health and Business Studies of the Johns Hopkins University.

In addition to Milei, the survey also highlights the influence that other Argentine economists have, according to the number of followers on the networks. In this sense, the national senator Martín Lousteau, Alfonso Prat-Gay, the deputy José Luis Espert, the economic journalist Alejandro Bercovich and Roberto Cachanovsky stand out.

The authors of the study are Carlos Newland, Juan Carlos Rosiello and Roberto Salinas-León, who emphasize that The work aims to “identify the most important influencers in Latin America, the United States, and Spainwho use this social network to discuss issues related mainly to economics and economic policy”.

It is in this context that Milei stands out above other figures in the environment.

The study highlights Milei as one of the most influential economists in the region

Furor over the draw for Milei’s salary: those registered already exceed one million

The far-right national deputy for La Libertad Avanza Javier Milei announced that, based on his campaign promise and as he did in January, he will raffle his salary in February, which in this case will amount to 369,828 pesos. Pending the final result, which will be announced next week, there are already more than 1.3 million people registered through the Web page.

The libertarian legislator’s team confirmed that the winner will be announced on February 10 at 7:00 p.m. through a raffle that will be held on the deputy’s Instagram account, @javiermilei.

According to the organization of the draw, registration is open to the entire population of the country with the only excluding requirement of being over 18 years of age. Given the virtual modality that the event will have, it was reported that it will not be necessary to attend in person, since people from all districts of the country can also sign up. “Any citizen can participate regardless of ideology or the province in which they live,” says the official website of the draw.

This activity was already carried out in January, when the winner turned out to be Hugo Federico Nacarado, a 40-year-old man who declared himself a Kirchnerist and recognized that he did not share Milei’s political ideas and announced that he would allocate a large part of the prize to pay ” debts”.

How to sign up and what amount is raffled

As in the previous occasion, you have to register on the website. Any natural person over 18 years of age can register on the platform. You must put your name and surname, ID, contact email, cell phone number and date of birth.

The same, which will be held on February 10 from 7:00 p.m., will be broadcast live through its official Instagram account. This time the total amount will be 369,828 pesos, broken down into 339,808 for salary plus 30,020 for mobility.

It is necessary to clarify that the people who signed up to earn the salary for the month of December should not sign up again, since they will automatically be able to participate every month. In total there are already more than 1,157,000 registered.

As for the winner’s data, it will be removed from the database once the prize is delivered. If he wants to participate again, he must complete the form again. All this process will be certified by a notary public.

The story that Milei shared

The story that Milei shared to announce the new draw for her diet

Via Twitter, Javier Milei himself made it official that it is now possible to register or review the registration to the web portal.

Due to the criticism, Milei clarified in the bases and conditions of the raffle that it is certified that “all personal data will be treated in a strictly confidential manner and will not be shared or transferred with third parties except for processing by computer means for the purposes of the raffle. , in strict compliance with Law 25,326 and its regulatory decree 1,558/01?.

When will the draw be held?

According to what was anticipated from La Libertad Avanza, The salary draw will be done monthly, as Milei promised before the elections. It is expected that the name of the winner will be known in the first days of February, with a date to be defined in the next few hours by the deputy for the City of Buenos Aires.

The first draw was held on January 12 last, with a popular act in Mar del Plata. The lucky one was Federico Nacarado, from Buenos Aires. His life story drew attention and went viral, since he identifies with Kirchnerism.

“I guess he does it for marketing, but it works for him and for us too, so I’m not complaining,” the winner of Milei’s first draw told the press.

Facundo Nacarado is the one who won the draw for Javier Milei

Facundo Nacarado is the one who won the draw for Javier Milei’s salary

I already registered, do I have to do it again?

If you signed up in January, you do not need to fill out the form again. This is indicated by the Milei website:

“Once the draw is over, the data of all those entered will continue to be stored in the database, with the sole purpose that all those registered continue to participate in the next draws corresponding to “MY DIET”, unless expressly requested otherwise by sending an email : [email protected]”.

However, winners no longer automatically participate. If they want to bet on luck again, they must re-register on the web.

We wish to say thanks to the writer of this post for this amazing content

Javier Milei is one of the most influential economists, according to a US study

Other links: https://awardworld.net/resources/
) [summary] => The national deputy Javier Milei occupies one of the podium positions of the most influential economists in Spanish-speaking countries and the United States. This is indicated by a report from Johns Hopkins University, which is based in Baltimore, Maryland. The Argentine economist is located behind the 2008 Nobel Prize in Economics, Paul Krugman, and surpasses ... Read more [atom_content] =>

The national deputy Javier Milei occupies one of the podium positions of the most influential economists in Spanish-speaking countries and the United States. This is indicated by a report from Johns Hopkins University, which is based in Baltimore, Maryland.

The Argentine economist is located behind the 2008 Nobel Prize in Economics, Paul Krugman, and surpasses other recognized global referents, such as Nouriel Roubini, Steve Hanke, Dani Rodrik, Xavier Sala i-Martín, the Brazilian Henrique Meirelles, Joseph Stiglitz, Nobel Prize of Economy 2001 and his disciple and current Argentine Minister of Economy, Martín Guzmán.

The study explains: “The main Latin American influencer at a global level is Milei, closely followed by the Chilean Axel Kaiser, another prominent pro-market communicator.”

It is worth mentioning that the study was carried out by the Institute of Applied Economics, Global Health and Business Studies of the Johns Hopkins University.

In addition to Milei, the survey also highlights the influence that other Argentine economists have, according to the number of followers on the networks. In this sense, the national senator Martín Lousteau, Alfonso Prat-Gay, the deputy José Luis Espert, the economic journalist Alejandro Bercovich and Roberto Cachanovsky stand out.

The authors of the study are Carlos Newland, Juan Carlos Rosiello and Roberto Salinas-León, who emphasize that The work aims to “identify the most important influencers in Latin America, the United States, and Spainwho use this social network to discuss issues related mainly to economics and economic policy”.

It is in this context that Milei stands out above other figures in the environment.

The study highlights Milei as one of the most influential economists in the region

Furor over the draw for Milei’s salary: those registered already exceed one million

The far-right national deputy for La Libertad Avanza Javier Milei announced that, based on his campaign promise and as he did in January, he will raffle his salary in February, which in this case will amount to 369,828 pesos. Pending the final result, which will be announced next week, there are already more than 1.3 million people registered through the Web page.

The libertarian legislator’s team confirmed that the winner will be announced on February 10 at 7:00 p.m. through a raffle that will be held on the deputy’s Instagram account, @javiermilei.

According to the organization of the draw, registration is open to the entire population of the country with the only excluding requirement of being over 18 years of age. Given the virtual modality that the event will have, it was reported that it will not be necessary to attend in person, since people from all districts of the country can also sign up. “Any citizen can participate regardless of ideology or the province in which they live,” says the official website of the draw.

This activity was already carried out in January, when the winner turned out to be Hugo Federico Nacarado, a 40-year-old man who declared himself a Kirchnerist and recognized that he did not share Milei’s political ideas and announced that he would allocate a large part of the prize to pay ” debts”.

How to sign up and what amount is raffled

As in the previous occasion, you have to register on the website. Any natural person over 18 years of age can register on the platform. You must put your name and surname, ID, contact email, cell phone number and date of birth.

The same, which will be held on February 10 from 7:00 p.m., will be broadcast live through its official Instagram account. This time the total amount will be 369,828 pesos, broken down into 339,808 for salary plus 30,020 for mobility.

It is necessary to clarify that the people who signed up to earn the salary for the month of December should not sign up again, since they will automatically be able to participate every month. In total there are already more than 1,157,000 registered.

As for the winner’s data, it will be removed from the database once the prize is delivered. If he wants to participate again, he must complete the form again. All this process will be certified by a notary public.

The story that Milei shared

The story that Milei shared to announce the new draw for her diet

Via Twitter, Javier Milei himself made it official that it is now possible to register or review the registration to the web portal.

Due to the criticism, Milei clarified in the bases and conditions of the raffle that it is certified that “all personal data will be treated in a strictly confidential manner and will not be shared or transferred with third parties except for processing by computer means for the purposes of the raffle. , in strict compliance with Law 25,326 and its regulatory decree 1,558/01?.

When will the draw be held?

According to what was anticipated from La Libertad Avanza, The salary draw will be done monthly, as Milei promised before the elections. It is expected that the name of the winner will be known in the first days of February, with a date to be defined in the next few hours by the deputy for the City of Buenos Aires.

The first draw was held on January 12 last, with a popular act in Mar del Plata. The lucky one was Federico Nacarado, from Buenos Aires. His life story drew attention and went viral, since he identifies with Kirchnerism.

“I guess he does it for marketing, but it works for him and for us too, so I’m not complaining,” the winner of Milei’s first draw told the press.

Facundo Nacarado is the one who won the draw for Javier Milei

Facundo Nacarado is the one who won the draw for Javier Milei’s salary

I already registered, do I have to do it again?

If you signed up in January, you do not need to fill out the form again. This is indicated by the Milei website:

“Once the draw is over, the data of all those entered will continue to be stored in the database, with the sole purpose that all those registered continue to participate in the next draws corresponding to “MY DIET”, unless expressly requested otherwise by sending an email : [email protected]”.

However, winners no longer automatically participate. If they want to bet on luck again, they must re-register on the web.

We wish to say thanks to the writer of this post for this amazing content

Javier Milei is one of the most influential economists, according to a US study

Other links: https://awardworld.net/resources/
[date_timestamp] => 1644022679 ) [9] => Array ( [title] => L?Expression: Nationale ? The ?camouflage? of drug dealers [link] => https://awardworld.net/palme-dor/lexpression-nationale-the-camouflage-of-drug-dealers/ [dc] => Array ( [creator] => Stephen Juarez ) [pubdate] => Fri, 04 Feb 2022 23:49:05 +0000 [category] => Palme D?orcamouflagedealersdrugLExpressionNationale [guid] => https://awardworld.net/?p=14222 [description] => These “mules” of another kind were part of a network of trafficking in hard drugs and human beings. An “a’âdjâr”, a “djeba” and white background. It’s not the outfit of an Algerian granny but of… sub-Saharan drug traffickers! We know that the dealers are not lacking of imagination, to pass their dirty “cam”, nevertheless, the ... Read more [content] => Array ( [encoded] =>

These “mules” of another kind were part of a network of trafficking in hard drugs and human beings.

An “a’âdjâr”, a “djeba” and white background. It’s not the outfit of an Algerian granny but of… sub-Saharan drug traffickers! We know that the dealers are not lacking
of imagination, to pass their dirty “cam”, nevertheless, the group which has just brought down the police of Algiers deserves the Palme d’or. You may well have met these three “vamps” in the streets of the capital or its suburbs, without knowing that under their “djellaba”, there were three black men who were part of an international drug trafficking network. How did they pull off this sleight of hand? They hid under a headscarf and an aadjar, while “painting” their faces with a very white foundation. Perfectly imitating the walk of old Algerian women, they blended into the crowd to transport heroin and cocaine across the country, put in capsules, which they swallowed before “regurgitating” them once they reached their destination. . These “mules” of another kind could therefore move without being disturbed. This without the malice of the men of the brigade against narcotics and psychotropic tablets under the security of the wilaya of Algiers. Having noticed the suspicious movements of “old women” in neighborhoods known for drug trafficking, the “stup” of the capital decided to follow their actions. They ended up discovering the pot of roses! However, the amount of drugs they were carrying suggested that it was an organized gang. So they followed them for several days before laying a mousetrap on all the networks. Composed of Algerians and foreigners, this network also engages in human trafficking. A total of 14 individuals specialized in the trafficking of hard drugs and human beings. “This criminal network, made up of 14 individuals, including 4 Algerians and 10 others of foreign nationality, aged between 20 and 45, engaged in trafficking in individuals and trafficking in narcotics such as cocaine and heroin”, indicated the second lieutenant of police, Ouali Hadj Nacer of the center district of the judicial police (PJ) under the security of the wilaya of Algiers.
?The operation resulted in the seizure of 780 grams of heroin, 670 grams of cocaine, 50 grams of cannabis, two passenger vehicles, 13 mobile phones, a laptop, an amount of money estimated at 86,000 DA and 100 euros,? he says.
?Pharmaceuticals and equipment used in the mixture for the preparation of narcotics were also seized,? he added. “After the completion of the legal procedures in force, the defendants were presented before the territorially competent prosecutor’s office for drug trafficking and smuggling,” he said. He recalls that this constitutes a threat to the national economy and public health, human trafficking, accommodation and transport of illegal migrants. Hard drugs, especially heroin, are increasingly invading our neighborhoods. It is no longer a question of small joints of kif, but downright of ?tchoutchana? (heroin) which quickly makes them very addicted. It is a great scourge that threatens the country. Camouflage methods straight out of the Narcos series show how far these drug traffickers are willing to go to transport this poison, whose demand is increasingly strong. The security services keep an eye on the grain, bringing down these networks, but citizens must also denounce all those who indulge in this kind of traffic. Heroin destroys societies, its damage is irreversible!

We want to thank the author of this short article for this incredible material

L’Expression: Nationale – The “camouflage” of drug dealers

Other links: https://awardworld.net/resources/
) [summary] => These “mules” of another kind were part of a network of trafficking in hard drugs and human beings. An “a’âdjâr”, a “djeba” and white background. It’s not the outfit of an Algerian granny but of… sub-Saharan drug traffickers! We know that the dealers are not lacking of imagination, to pass their dirty “cam”, nevertheless, the ... Read more [atom_content] =>

These “mules” of another kind were part of a network of trafficking in hard drugs and human beings.

An “a’âdjâr”, a “djeba” and white background. It’s not the outfit of an Algerian granny but of… sub-Saharan drug traffickers! We know that the dealers are not lacking
of imagination, to pass their dirty “cam”, nevertheless, the group which has just brought down the police of Algiers deserves the Palme d’or. You may well have met these three “vamps” in the streets of the capital or its suburbs, without knowing that under their “djellaba”, there were three black men who were part of an international drug trafficking network. How did they pull off this sleight of hand? They hid under a headscarf and an aadjar, while “painting” their faces with a very white foundation. Perfectly imitating the walk of old Algerian women, they blended into the crowd to transport heroin and cocaine across the country, put in capsules, which they swallowed before “regurgitating” them once they reached their destination. . These “mules” of another kind could therefore move without being disturbed. This without the malice of the men of the brigade against narcotics and psychotropic tablets under the security of the wilaya of Algiers. Having noticed the suspicious movements of “old women” in neighborhoods known for drug trafficking, the “stup” of the capital decided to follow their actions. They ended up discovering the pot of roses! However, the amount of drugs they were carrying suggested that it was an organized gang. So they followed them for several days before laying a mousetrap on all the networks. Composed of Algerians and foreigners, this network also engages in human trafficking. A total of 14 individuals specialized in the trafficking of hard drugs and human beings. “This criminal network, made up of 14 individuals, including 4 Algerians and 10 others of foreign nationality, aged between 20 and 45, engaged in trafficking in individuals and trafficking in narcotics such as cocaine and heroin”, indicated the second lieutenant of police, Ouali Hadj Nacer of the center district of the judicial police (PJ) under the security of the wilaya of Algiers.
?The operation resulted in the seizure of 780 grams of heroin, 670 grams of cocaine, 50 grams of cannabis, two passenger vehicles, 13 mobile phones, a laptop, an amount of money estimated at 86,000 DA and 100 euros,? he says.
?Pharmaceuticals and equipment used in the mixture for the preparation of narcotics were also seized,? he added. “After the completion of the legal procedures in force, the defendants were presented before the territorially competent prosecutor’s office for drug trafficking and smuggling,” he said. He recalls that this constitutes a threat to the national economy and public health, human trafficking, accommodation and transport of illegal migrants. Hard drugs, especially heroin, are increasingly invading our neighborhoods. It is no longer a question of small joints of kif, but downright of ?tchoutchana? (heroin) which quickly makes them very addicted. It is a great scourge that threatens the country. Camouflage methods straight out of the Narcos series show how far these drug traffickers are willing to go to transport this poison, whose demand is increasingly strong. The security services keep an eye on the grain, bringing down these networks, but citizens must also denounce all those who indulge in this kind of traffic. Heroin destroys societies, its damage is irreversible!

We want to thank the author of this short article for this incredible material

L’Expression: Nationale – The “camouflage” of drug dealers

Other links: https://awardworld.net/resources/
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