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[title] => CNC Automatic Lathes Market Outlook 2022-2030| Key Players ? Star Micronics, JINN FA Machine, Tsugami Precision Engineering India, LICO ? Ripon College Days
[link] => https://movies.fuzzyskunk.com/movie-production-companies/cnc-automatic-lathes-market-outlook-2022-2030-key-players-star-micronics-jinn-fa-machine-tsugami-precision-engineering-india-lico-ripon-college-days/
[dc] => Array
(
[creator] => Sally Scully
)
[pubdate] => Fri, 29 Apr 2022 03:28:21 +0000
[category] => Movie Production CompaniesAutomaticCNCCollegedaysEngineeringIndiaJINNKeyLathesLICOMachinemarketMicronicsOutlookPlayersPrecisionRiponStarTsugami
[guid] => https://movies.fuzzyskunk.com/?p=16423
[description] => The latest market research report analyzes the CNC Automatic Lathes market demand by different segments Size, share, growth, industry trends and forecast to 2030 in its database, which describes a systematic picture of the market and provides an in-depth explanation of the various factors that are expected to drive the market growth. The Universal CNC ... Read more
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The latest market research report analyzes the CNC Automatic Lathes market demand by different segments Size, share, growth, industry trends and forecast to 2030 in its database, which describes a systematic picture of the market and provides an in-depth explanation of the various factors that are expected to drive the market growth. The Universal CNC Automatic Lathes market research report is the high-quality report containing in-depth market research. It presents a definitive solution to obtain market information with which the market can be visualized clearly and thus important decisions for the growth of the company can be made. All the data, facts, figures and information covered in this business document are backed up by renowned analytical tools, including SWOT analysis and Porter?s five forces analysis. A number of steps are used when preparing the CNC Automatic Lathes Report by taking input from a dedicated team of researchers, analysts and forecasters.
The planned sale of a product is also included in this CNC Automatic Lathes market report, which helps market participants to bring new products to market and avoid mistakes. It suggests which parts of the business need to be improved in order for the business to be successful. It?s also simple to discover a new chance to stay ahead of the market, and this market research report gives the most recent trends to help you place your business in the market and gain a significant advantage.
One of the crucial parts of this report includes the discussion of the key supplier of the CNC Automatic Lathes industry on the summary, profiles, market revenue and financial analysis of the brand. The report will help market participants to develop future business strategies and find out about global competition. A detailed analysis of the market segmentation is carried out on producers, regions, type and applications in the report.
The major players covered in CNC Automatic Lathes Markets:
Star Micronics
JINN FA Machine
Tsugami Precision Engineering India
LICO
Nakamura-Tome Precision Industry
Frejoth International
CITIZEN MACHINERY MIYANO
OKUMA
CMZ
CHEVALIER ? Falcon Machine Tools
MYLAS
Global market segmentation CNC Automatic Lathes :
CNC Automatic Lathes Market Breakdown by Type:
Horizontal Lathe
Vertical Lathe
CNC Automatic Lathes Market breakdown by application:
Shipping Industry
Automobile Industry
Equipment Manufacturing Industry
Other
The analysis of the study was carried out worldwide and presents the current and traditional growth analysis, competition analysis and growth prospects of the central regions. With industry-standard analytical accuracy and high data integrity, the report offers an excellent attempt to highlight the key opportunities available in the global CNC Automatic Lathes market to help players establish strong market positions. Buyers of the report can access verified and reliable market forecasts, including those regarding the overall size of the global CNC Automatic Lathes market in terms of sales and volume.
Revenue Forecast, Company Ranking, Competitive Landscape, Growth Factors, and Trends
Regional Scope
North America, Europe, Asia Pacific, Latin America, Middle East and Africa
Customization scope
Free report customization (equivalent up to 8 analysts working days) with purchase. Addition or alteration to country, regional & segment scope.
Pricing and purchase options
Avail of customized purchase options to meet your exact research needs. Explore purchase options
Regional market analysis CNC Automatic Lathes can be represented as follows:
This part of the report assesses key regional and country-level markets on the basis of market size by type and application, key players, and market forecast.
The base of geography, the world market of CNC Automatic Lathes has segmented as follows:
North America includes the United States, Canada, and Mexico
Europe includes Germany, France, UK, Italy, Spain
South America includes Colombia, Argentina, Nigeria, and Chile
The Asia Pacific includes Japan, China, Korea, India, Saudi Arabia, and Southeast Asia
Market Research Intellect provides syndicated and customized research reports to clients from various industries and organizations with the aim of delivering customized and in-depth research studies.
Our advanced analytical research solutions, custom consulting and in-depth data analysis cover a range of industries including Energy, Technology, Manufacturing and Construction, Chemicals and Materials, Food and Beverages. Etc
Our research studies help our clients to make superior data-driven decisions, understand market forecast, capitalize on future opportunities and optimize efficiency by working as their partner to deliver accurate and valuable information without compromise.
Having serviced over 5000+ clients, we have provided reliable market research services to more than 100 Global Fortune 500 companies such as Amazon, Dell, IBM, Shell, Exxon Mobil, General Electric, Siemens, Microsoft, Sony and Hitachi.
Contact us: Mr. Edwyne Fernandes US: +1 (650)-781-4080 UK: +44 (753)-715-0008 APAC: +61 (488)-85-9400 US Toll-Free: +1 (800)-782-1768
)
[summary] => The latest market research report analyzes the CNC Automatic Lathes market demand by different segments Size, share, growth, industry trends and forecast to 2030 in its database, which describes a systematic picture of the market and provides an in-depth explanation of the various factors that are expected to drive the market growth. The Universal CNC ... Read more
[atom_content] =>
The latest market research report analyzes the CNC Automatic Lathes market demand by different segments Size, share, growth, industry trends and forecast to 2030 in its database, which describes a systematic picture of the market and provides an in-depth explanation of the various factors that are expected to drive the market growth. The Universal CNC Automatic Lathes market research report is the high-quality report containing in-depth market research. It presents a definitive solution to obtain market information with which the market can be visualized clearly and thus important decisions for the growth of the company can be made. All the data, facts, figures and information covered in this business document are backed up by renowned analytical tools, including SWOT analysis and Porter?s five forces analysis. A number of steps are used when preparing the CNC Automatic Lathes Report by taking input from a dedicated team of researchers, analysts and forecasters.
The planned sale of a product is also included in this CNC Automatic Lathes market report, which helps market participants to bring new products to market and avoid mistakes. It suggests which parts of the business need to be improved in order for the business to be successful. It?s also simple to discover a new chance to stay ahead of the market, and this market research report gives the most recent trends to help you place your business in the market and gain a significant advantage.
One of the crucial parts of this report includes the discussion of the key supplier of the CNC Automatic Lathes industry on the summary, profiles, market revenue and financial analysis of the brand. The report will help market participants to develop future business strategies and find out about global competition. A detailed analysis of the market segmentation is carried out on producers, regions, type and applications in the report.
The major players covered in CNC Automatic Lathes Markets:
Star Micronics
JINN FA Machine
Tsugami Precision Engineering India
LICO
Nakamura-Tome Precision Industry
Frejoth International
CITIZEN MACHINERY MIYANO
OKUMA
CMZ
CHEVALIER ? Falcon Machine Tools
MYLAS
Global market segmentation CNC Automatic Lathes :
CNC Automatic Lathes Market Breakdown by Type:
Horizontal Lathe
Vertical Lathe
CNC Automatic Lathes Market breakdown by application:
Shipping Industry
Automobile Industry
Equipment Manufacturing Industry
Other
The analysis of the study was carried out worldwide and presents the current and traditional growth analysis, competition analysis and growth prospects of the central regions. With industry-standard analytical accuracy and high data integrity, the report offers an excellent attempt to highlight the key opportunities available in the global CNC Automatic Lathes market to help players establish strong market positions. Buyers of the report can access verified and reliable market forecasts, including those regarding the overall size of the global CNC Automatic Lathes market in terms of sales and volume.
Revenue Forecast, Company Ranking, Competitive Landscape, Growth Factors, and Trends
Regional Scope
North America, Europe, Asia Pacific, Latin America, Middle East and Africa
Customization scope
Free report customization (equivalent up to 8 analysts working days) with purchase. Addition or alteration to country, regional & segment scope.
Pricing and purchase options
Avail of customized purchase options to meet your exact research needs. Explore purchase options
Regional market analysis CNC Automatic Lathes can be represented as follows:
This part of the report assesses key regional and country-level markets on the basis of market size by type and application, key players, and market forecast.
The base of geography, the world market of CNC Automatic Lathes has segmented as follows:
North America includes the United States, Canada, and Mexico
Europe includes Germany, France, UK, Italy, Spain
South America includes Colombia, Argentina, Nigeria, and Chile
The Asia Pacific includes Japan, China, Korea, India, Saudi Arabia, and Southeast Asia
Market Research Intellect provides syndicated and customized research reports to clients from various industries and organizations with the aim of delivering customized and in-depth research studies.
Our advanced analytical research solutions, custom consulting and in-depth data analysis cover a range of industries including Energy, Technology, Manufacturing and Construction, Chemicals and Materials, Food and Beverages. Etc
Our research studies help our clients to make superior data-driven decisions, understand market forecast, capitalize on future opportunities and optimize efficiency by working as their partner to deliver accurate and valuable information without compromise.
Having serviced over 5000+ clients, we have provided reliable market research services to more than 100 Global Fortune 500 companies such as Amazon, Dell, IBM, Shell, Exxon Mobil, General Electric, Siemens, Microsoft, Sony and Hitachi.
Contact us: Mr. Edwyne Fernandes US: +1 (650)-781-4080 UK: +44 (753)-715-0008 APAC: +61 (488)-85-9400 US Toll-Free: +1 (800)-782-1768
[date_timestamp] => 1651202901
)
[1] => Array
(
[title] => Stream It Or Skip It: ?The Offer? on Paramount+, A Bloated Miniseries Detailing the Making of ?The Godfather?
[link] => https://movies.fuzzyskunk.com/streaming-services/stream-it-or-skip-it-the-offer-on-paramount-a-bloated-miniseries-detailing-the-making-of-the-godfather/
[dc] => Array
(
[creator] => Sally Scully
)
[pubdate] => Fri, 29 Apr 2022 02:47:16 +0000
[category] => Streaming ServicesBloatedDetailingGodfatherminiseriesOfferParamountSkipStream
[guid] => https://movies.fuzzyskunk.com/?p=16417
[description] => Hollywood self-indulgence reaches new heights with The Offer, a 10-part miniseries about the making of The Godfather, on Paramount+. Yep, 10 episodes. The story finds its point-of-view in Al Ruddy, the newbie producer who used his clout as the creator of TV?s Hogan?s Heroes to get his foot in the filmmaking door at Paramount, where ... Read more
[content] => Array
(
[encoded] =>
Hollywood self-indulgence reaches new heights with The Offer, a 10-part miniseries about the making of The Godfather, on Paramount+. Yep, 10 episodes. The story finds its point-of-view in Al Ruddy, the newbie producer who used his clout as the creator of TV?s Hogan?s Heroes to get his foot in the filmmaking door at Paramount, where he worked doggedly to get The Godfather off the ground. The rest is history, fictionalized for maximum entertainment here, led by star Miles Teller and a sprawling cast that includes Matthew Goode, Juno Temple and Dan Fogler. Fascinating? Or just masturbatory bloat? Let?s watch the first episode and find out.
THE OFFER: STREAM IT OR SKIP IT?
Opening Shot: Crane shot: Zoom in on a street parade in Little Italy, New York City.
The Gist: There?s Joey Columbo (Giovanni Ribisi), an NYC mob capo, meeting with some compatriots over piles of macaroni and gravy in a restaurant. And there?s famed movie producer Robert Evans (Goode), parking his sports car on the Paramount lot and dropping names like Eastwood and Neil Simon. And there?s Al Ruddy (Teller), bored as hell as a shirt-and-tie-and-name-badge guy in an office job; he goes out to a bar and spies Evans across the room, holding court. And there?s Mario Puzo (Patrick Gallo), lamenting the flaccid turnout for his latest book signing, then getting roughed up in an alleyway because he?s in for a grand to a bookie; his next book better be better. It?s 1960-whatever or so.
We learn that Ruddy has a dream of making movies ? the cinema is where people come together to gasp at the ending of Planet of the Apes. He scores a pitch meeting at CBS and lands Hogan?s Heroes with minimal effort. It ain?t what he wants, but it?s a start. Speaking of not doing what he wants, Puzo finally finds his balls and writes something people wanna read ? a Noo Yawk gangster saga. He grew up around dose guys and knows it?ll ruffle feathers but before you know it, the episode has zoomed ahead to a time when people are lined up to get their copies of The Godfather autographed and Ruddy?s bored with sitcoms and finds Evans on the Paramount lot and talks his way into a job and gets help from a well-connected secretary named Bettye McCart (Temple). This thing moves fast. If it keeps up like this, Brando will be stuffing his mouth with cotton and Oscars will be handed out before you?re even done with that cup of coffee in your hand.
But this is only the first half of the first hour of this series. There?s so, so much more narrative in which to luxuriate. Joey Columbo sits in a restaurant men?s room with a pistol and reminds us of a certain scene in a certain movie, whatever could it be. Ruddy successfully recruits Robert Redford for a movie but it flops, so Evans hands him a low-priority project, The Godfather. Ruddy gets Puzo to write the script and when Puzo meets his idol Frank Sinatra in a restaurant, they get in a fight because Puzo once wrote a story about a singer who was a shitty human being. Puzo struggles at the typewriter so Ruddy flies to San Francisco and gets Francis Ford Coppola (Fogler) to help write the thing, and then direct it. There are more Joey Columbo gangster wranglings, which must be going somewhere, because the parting shot (see below!) is exactly that, an actual shot with a gun.
Photo: PARAMOUNT+
What Shows Will It Remind You Of?Feud comes to mind, the infinitely better series in which Jessica Lange plays Joan Crawford and Susan Sarandon plays Bette Davis, and they go at it before, during and after the making of Whatever Happened to Baby Jane?.
Our Take: The first episode of The Offer is slick, colorful, overstated, light on its feet and reasonably entertaining. But even the first hour feels like too much, making it hard to imagine the series sustaining itself for nine more. It situates Ruddy as an unflappable, no-nonsense type supported by the whip-smart McCart, and surrounded by flakes, ranging from Puzo the slob to Evans the grinning partyguy to severe Paramount head Charles Bluhdorn (a perfectly cast Burn Gorman) to humorless Paramount beancounter Barry Lapidus (Colin Hanks), who isn?t conventionally flaky, but would rather sell off the Godfather rights for a modest profit than take a risk, which automatically retroactively makes him a gigantic f?ing idiot.
Series writer and creator Michael Tolkin covered similar behind-the-scenes material when he wrote the Robert Altman-directed Hollywood satire The Player, a classic black comedy about a studio executive who kills a man and then gets a movie made about a studio executive who kills a man. Man, that?s a great movie. The Offer ? titled after a famous movie line, whatever could it be ? is less self-aware but much, much sillier, amplified to bigger-than-life dramatics that feel like dramatic shorthand. Sure, none of us were there, no-bullshitting Robert Redford or whatever, but could it have unfolded like this? Probably not, which makes a true story feel like a phony one. It remains to be seen if the people who play Pacino or Brando or Diane Keaton or James Caan or Henry Kissinger or Raquel Welch or or or, etc. etc. etc., can elevate the proceedings to something resembling real life, or if it continues on this indulgent track. The latter seems likely, and I don?t think we should continue enabling this type of behavior.
Sex and Skin: None so far.
Parting Shot: A gangster levels his shotgun and blasts the back window out of Ruddy?s car.
Sleeper Star: At this point, Fogler, playing the great director Coppola, finds the tonal sweet spot between bigger-than-life caricature and believable character much better than other cast members playing recognizable figures, who tend to go big and broad and employ over-the-top gestures.
Most Pilot-y Line: Puzo?s wife Erika (Victoria Kelleher) gets the ball rolling to get the debt monkey off their backs, and inadvertently inspires capital-H History: ?F? art, Mario. Start typin?.?
Our Call: SKIP IT. The opening salvo of The Offer fails to convince us that 10 hours of a ?true? Hollywood making-of story is worth sitting through. Haven?t we seen enough of this back-patting, inside-joke stuff lately? Rewatch The Player instead. Oh, and The Godfather, too.
John Serba is a freelance writer and film critic based in Grand Rapids, Michigan. Read more of his work at johnserbaatlarge.com.
We would love to give thanks to the writer of this write-up for this incredible material
)
[summary] => Hollywood self-indulgence reaches new heights with The Offer, a 10-part miniseries about the making of The Godfather, on Paramount+. Yep, 10 episodes. The story finds its point-of-view in Al Ruddy, the newbie producer who used his clout as the creator of TV?s Hogan?s Heroes to get his foot in the filmmaking door at Paramount, where ... Read more
[atom_content] =>
Hollywood self-indulgence reaches new heights with The Offer, a 10-part miniseries about the making of The Godfather, on Paramount+. Yep, 10 episodes. The story finds its point-of-view in Al Ruddy, the newbie producer who used his clout as the creator of TV?s Hogan?s Heroes to get his foot in the filmmaking door at Paramount, where he worked doggedly to get The Godfather off the ground. The rest is history, fictionalized for maximum entertainment here, led by star Miles Teller and a sprawling cast that includes Matthew Goode, Juno Temple and Dan Fogler. Fascinating? Or just masturbatory bloat? Let?s watch the first episode and find out.
THE OFFER: STREAM IT OR SKIP IT?
Opening Shot: Crane shot: Zoom in on a street parade in Little Italy, New York City.
The Gist: There?s Joey Columbo (Giovanni Ribisi), an NYC mob capo, meeting with some compatriots over piles of macaroni and gravy in a restaurant. And there?s famed movie producer Robert Evans (Goode), parking his sports car on the Paramount lot and dropping names like Eastwood and Neil Simon. And there?s Al Ruddy (Teller), bored as hell as a shirt-and-tie-and-name-badge guy in an office job; he goes out to a bar and spies Evans across the room, holding court. And there?s Mario Puzo (Patrick Gallo), lamenting the flaccid turnout for his latest book signing, then getting roughed up in an alleyway because he?s in for a grand to a bookie; his next book better be better. It?s 1960-whatever or so.
We learn that Ruddy has a dream of making movies ? the cinema is where people come together to gasp at the ending of Planet of the Apes. He scores a pitch meeting at CBS and lands Hogan?s Heroes with minimal effort. It ain?t what he wants, but it?s a start. Speaking of not doing what he wants, Puzo finally finds his balls and writes something people wanna read ? a Noo Yawk gangster saga. He grew up around dose guys and knows it?ll ruffle feathers but before you know it, the episode has zoomed ahead to a time when people are lined up to get their copies of The Godfather autographed and Ruddy?s bored with sitcoms and finds Evans on the Paramount lot and talks his way into a job and gets help from a well-connected secretary named Bettye McCart (Temple). This thing moves fast. If it keeps up like this, Brando will be stuffing his mouth with cotton and Oscars will be handed out before you?re even done with that cup of coffee in your hand.
But this is only the first half of the first hour of this series. There?s so, so much more narrative in which to luxuriate. Joey Columbo sits in a restaurant men?s room with a pistol and reminds us of a certain scene in a certain movie, whatever could it be. Ruddy successfully recruits Robert Redford for a movie but it flops, so Evans hands him a low-priority project, The Godfather. Ruddy gets Puzo to write the script and when Puzo meets his idol Frank Sinatra in a restaurant, they get in a fight because Puzo once wrote a story about a singer who was a shitty human being. Puzo struggles at the typewriter so Ruddy flies to San Francisco and gets Francis Ford Coppola (Fogler) to help write the thing, and then direct it. There are more Joey Columbo gangster wranglings, which must be going somewhere, because the parting shot (see below!) is exactly that, an actual shot with a gun.
Photo: PARAMOUNT+
What Shows Will It Remind You Of?Feud comes to mind, the infinitely better series in which Jessica Lange plays Joan Crawford and Susan Sarandon plays Bette Davis, and they go at it before, during and after the making of Whatever Happened to Baby Jane?.
Our Take: The first episode of The Offer is slick, colorful, overstated, light on its feet and reasonably entertaining. But even the first hour feels like too much, making it hard to imagine the series sustaining itself for nine more. It situates Ruddy as an unflappable, no-nonsense type supported by the whip-smart McCart, and surrounded by flakes, ranging from Puzo the slob to Evans the grinning partyguy to severe Paramount head Charles Bluhdorn (a perfectly cast Burn Gorman) to humorless Paramount beancounter Barry Lapidus (Colin Hanks), who isn?t conventionally flaky, but would rather sell off the Godfather rights for a modest profit than take a risk, which automatically retroactively makes him a gigantic f?ing idiot.
Series writer and creator Michael Tolkin covered similar behind-the-scenes material when he wrote the Robert Altman-directed Hollywood satire The Player, a classic black comedy about a studio executive who kills a man and then gets a movie made about a studio executive who kills a man. Man, that?s a great movie. The Offer ? titled after a famous movie line, whatever could it be ? is less self-aware but much, much sillier, amplified to bigger-than-life dramatics that feel like dramatic shorthand. Sure, none of us were there, no-bullshitting Robert Redford or whatever, but could it have unfolded like this? Probably not, which makes a true story feel like a phony one. It remains to be seen if the people who play Pacino or Brando or Diane Keaton or James Caan or Henry Kissinger or Raquel Welch or or or, etc. etc. etc., can elevate the proceedings to something resembling real life, or if it continues on this indulgent track. The latter seems likely, and I don?t think we should continue enabling this type of behavior.
Sex and Skin: None so far.
Parting Shot: A gangster levels his shotgun and blasts the back window out of Ruddy?s car.
Sleeper Star: At this point, Fogler, playing the great director Coppola, finds the tonal sweet spot between bigger-than-life caricature and believable character much better than other cast members playing recognizable figures, who tend to go big and broad and employ over-the-top gestures.
Most Pilot-y Line: Puzo?s wife Erika (Victoria Kelleher) gets the ball rolling to get the debt monkey off their backs, and inadvertently inspires capital-H History: ?F? art, Mario. Start typin?.?
Our Call: SKIP IT. The opening salvo of The Offer fails to convince us that 10 hours of a ?true? Hollywood making-of story is worth sitting through. Haven?t we seen enough of this back-patting, inside-joke stuff lately? Rewatch The Player instead. Oh, and The Godfather, too.
John Serba is a freelance writer and film critic based in Grand Rapids, Michigan. Read more of his work at johnserbaatlarge.com.
We would love to give thanks to the writer of this write-up for this incredible material
[date_timestamp] => 1651200436
)
[2] => Array
(
[title] => Vertical Entertainment Announces Release Of ?SWITCHED?
[link] => https://movies.fuzzyskunk.com/movie-production-companies/vertical-entertainment-announces-release-of-switched/
[dc] => Array
(
[creator] => Sally Scully
)
[pubdate] => Fri, 29 Apr 2022 02:03:15 +0000
[category] => Movie Production CompaniesannouncesENTERTAINMENTreleaseSWITCHEDVertical
[guid] => https://movies.fuzzyskunk.com/?p=16411
[description] => Tired of being bullied, Cassandra Evans prays that her nemesis Katie Sharp, the queen bee of social media, would know what it’s like to walk a day in her shoes. Her prayer is answered in an unexpected way when they get “Switched.” When Cassandra Evans and Katie Sharp wake up to discover they’ve switched bodies, ... Read more
[content] => Array
(
[encoded] =>
Tired of being bullied, Cassandra Evans prays that her nemesis Katie Sharp, the queen bee of social media, would know what it’s like to walk a day in her shoes. Her prayer is answered in an unexpected way when they get “Switched.”
When Cassandra Evans and Katie Sharp wake up to discover they’ve switched bodies, the two girls must learn to appreciate both the blessings and struggles the other faces on a daily basis, in school and at home. Packed with life lessons of forgiveness, perspective, encouragement and understanding, SWITCHED will help teenagers who are searching for their worth in looks and popularity to find their true identity in Christ.
“SWITCHED has the power to change people’s lives and give perspective to students who are struggling with bullying and comparison in school,” says Executive Producer and Founder of Project Inspired, Nicole Weider. “I am so excited to see the ways this film will positively impact the lives of young women.”
Project Inspired will release bullying resources for students, in addition to companion materials for youth groups, churches and high schools to use alongside the film to teach students about the importance of loving one another.
Follow us on Facebook and Instagram @SwitchedtheFilm and online at switchedmovie.com
About Vertical Entertainment Vertical Entertainment is a global independent distributor that offers a unique combination of full-service marketing and sales services. Dedicated to providing highly-effective and collaborative solutions, Vertical leverages unparalleled relationships to maximize revenue across all streams. The marketing and sales expertise from Vertical’s seasoned team gives content partners a wealth of experience minus the studio costs.
Vertical won a Film Independent Spirit Award for Best Supporting Actress for Molly Shannon’s role in “Other People” and the film won a GLAAD Award for “Outstanding Film Limited Release” as well. Vertical also had four other Indie Spirit nominations ? three more for “Other People” (Best Lead Actor for Jesse Plemons, and Best First Feature and Best First Screenplay for filmmaker Chris Kelly) and one for Best International Film for Babak Anvari’s “Under the Shadow,” which was also the official UK submission for the 2017 Oscars, in addition to winning one BAFTA Award and three British Independent Film Awards as well.
Upcoming Vertical releases include “Hard Kill” starring Bruce Willis and Jesse Metcalfe; “The Big Ugly” starring Ron Perlman, Vinnie Jones and Malcolm McDowell; and “Skylin3s”, the third installment of the Skyline franchise. Other notable recent releases include “Yes, God, Yes” starring Natalia Dyer, Timothy Simons, and Alisha Boe; “Archive” starring Theo James and Stacy Martin; “A Nice Girl Like You” starring Lucy Hale, Jackie Cruz and Mindy Cohn; “Inheritance” starring Lily Collins, Simon Pegg, Chace Crawford and Connie Nielsen; “Human Capital” starring Liev Schreiber, Marisa Tomei, Peter Saarsgard and Maya Hawke, “Code 8” starring Stephen Amell, Robbie Amell, and Sung Kang, “Can You Keep A Secret?” starring Alexandra Daddario, Tyler Hoechlin and Laverne Cox, “American Woman” starring Sienna Miller, Aaron Paul and Christina Hendricks; “The Professor and the Madman” starring Mel Gibson, Sean Penn and Natalie Dormer “Drunk Parents” starring Alec Baldwin, Salma Hayek, Jim Gaffigan, Ben Platt and Joe Manganiello; “Lying and Stealing” starring Theo James and Emily Ratajkowski; Keith Behrman’s “Giant Little Ones” starring Josh Wiggins, Kyle Maclachlan, and Maria Bello; Rob Reiner’s “Shock and Awe” starring Woody Harrelson, James Marsden, Milla Jovovich, Jessica Biel, and Tommy Lee Jones; and Kevin Connolly’s “Gotti” starring John Travolta, Kelly Preston and Chris Mulkey.
About Mustard Seed Entertainment Mustard Seed Entertainment was founded in 2014 by Alexandra Boylan, John K.D. Graham and Andrea Polnaszek with the mission to create visually stimulating films that honor Jesus and start conversations for their audiences. Mustard Seed’s films hold to Judeo-Christian values that can be enjoyed by the entire family. Past films include Catching Faith 1 & 2, and Wish For Christmas, which have been released globally. In 2018, Mustard Seed’s founders won the Kairos Pro Prize at the Movieguide Awards for the screenplay of “Switched.” Mustard Seed is currently in production of their latest film “The Inheritance.”
About Weider Entertainment: Founded by Nicole Weider, Weider Entertainment collaborates with other successful directors, producers and screenwriters to produce films offering a message of family, faith and purpose. Through each project, the ultimate mission is to glorify God. Nicole previously worked as a teen model and established the popular brand Project Inspired, encompassing the largest online community of young, female Christians. Nicole is passionate about inspiring others and is a devoted wife and mother.
About Project Inspired: Project Inspired is a vibrant community of girls, young ladies and successful women. Founded and launched by producer, actress, model and author Nicole Weider, Project Inspired is a safe place to find clear, inspiring and positive messages of hope, victory and promise in a culture where it can sometimes be tough to navigate relationships, Christian-living and social media. Drawing from her own experience and Project Inspired’s community of contributors, we want you to know that no one journeys alone. Get all the latest inspiring Christian content from Project Inspired at projectinspired.com
SOURCE Vertical Entertainment
We wish to say thanks to the author of this post for this remarkable web content
)
[summary] => Tired of being bullied, Cassandra Evans prays that her nemesis Katie Sharp, the queen bee of social media, would know what it’s like to walk a day in her shoes. Her prayer is answered in an unexpected way when they get “Switched.” When Cassandra Evans and Katie Sharp wake up to discover they’ve switched bodies, ... Read more
[atom_content] =>
Tired of being bullied, Cassandra Evans prays that her nemesis Katie Sharp, the queen bee of social media, would know what it’s like to walk a day in her shoes. Her prayer is answered in an unexpected way when they get “Switched.”
When Cassandra Evans and Katie Sharp wake up to discover they’ve switched bodies, the two girls must learn to appreciate both the blessings and struggles the other faces on a daily basis, in school and at home. Packed with life lessons of forgiveness, perspective, encouragement and understanding, SWITCHED will help teenagers who are searching for their worth in looks and popularity to find their true identity in Christ.
“SWITCHED has the power to change people’s lives and give perspective to students who are struggling with bullying and comparison in school,” says Executive Producer and Founder of Project Inspired, Nicole Weider. “I am so excited to see the ways this film will positively impact the lives of young women.”
Project Inspired will release bullying resources for students, in addition to companion materials for youth groups, churches and high schools to use alongside the film to teach students about the importance of loving one another.
Follow us on Facebook and Instagram @SwitchedtheFilm and online at switchedmovie.com
About Vertical Entertainment Vertical Entertainment is a global independent distributor that offers a unique combination of full-service marketing and sales services. Dedicated to providing highly-effective and collaborative solutions, Vertical leverages unparalleled relationships to maximize revenue across all streams. The marketing and sales expertise from Vertical’s seasoned team gives content partners a wealth of experience minus the studio costs.
Vertical won a Film Independent Spirit Award for Best Supporting Actress for Molly Shannon’s role in “Other People” and the film won a GLAAD Award for “Outstanding Film Limited Release” as well. Vertical also had four other Indie Spirit nominations ? three more for “Other People” (Best Lead Actor for Jesse Plemons, and Best First Feature and Best First Screenplay for filmmaker Chris Kelly) and one for Best International Film for Babak Anvari’s “Under the Shadow,” which was also the official UK submission for the 2017 Oscars, in addition to winning one BAFTA Award and three British Independent Film Awards as well.
Upcoming Vertical releases include “Hard Kill” starring Bruce Willis and Jesse Metcalfe; “The Big Ugly” starring Ron Perlman, Vinnie Jones and Malcolm McDowell; and “Skylin3s”, the third installment of the Skyline franchise. Other notable recent releases include “Yes, God, Yes” starring Natalia Dyer, Timothy Simons, and Alisha Boe; “Archive” starring Theo James and Stacy Martin; “A Nice Girl Like You” starring Lucy Hale, Jackie Cruz and Mindy Cohn; “Inheritance” starring Lily Collins, Simon Pegg, Chace Crawford and Connie Nielsen; “Human Capital” starring Liev Schreiber, Marisa Tomei, Peter Saarsgard and Maya Hawke, “Code 8” starring Stephen Amell, Robbie Amell, and Sung Kang, “Can You Keep A Secret?” starring Alexandra Daddario, Tyler Hoechlin and Laverne Cox, “American Woman” starring Sienna Miller, Aaron Paul and Christina Hendricks; “The Professor and the Madman” starring Mel Gibson, Sean Penn and Natalie Dormer “Drunk Parents” starring Alec Baldwin, Salma Hayek, Jim Gaffigan, Ben Platt and Joe Manganiello; “Lying and Stealing” starring Theo James and Emily Ratajkowski; Keith Behrman’s “Giant Little Ones” starring Josh Wiggins, Kyle Maclachlan, and Maria Bello; Rob Reiner’s “Shock and Awe” starring Woody Harrelson, James Marsden, Milla Jovovich, Jessica Biel, and Tommy Lee Jones; and Kevin Connolly’s “Gotti” starring John Travolta, Kelly Preston and Chris Mulkey.
About Mustard Seed Entertainment Mustard Seed Entertainment was founded in 2014 by Alexandra Boylan, John K.D. Graham and Andrea Polnaszek with the mission to create visually stimulating films that honor Jesus and start conversations for their audiences. Mustard Seed’s films hold to Judeo-Christian values that can be enjoyed by the entire family. Past films include Catching Faith 1 & 2, and Wish For Christmas, which have been released globally. In 2018, Mustard Seed’s founders won the Kairos Pro Prize at the Movieguide Awards for the screenplay of “Switched.” Mustard Seed is currently in production of their latest film “The Inheritance.”
About Weider Entertainment: Founded by Nicole Weider, Weider Entertainment collaborates with other successful directors, producers and screenwriters to produce films offering a message of family, faith and purpose. Through each project, the ultimate mission is to glorify God. Nicole previously worked as a teen model and established the popular brand Project Inspired, encompassing the largest online community of young, female Christians. Nicole is passionate about inspiring others and is a devoted wife and mother.
About Project Inspired: Project Inspired is a vibrant community of girls, young ladies and successful women. Founded and launched by producer, actress, model and author Nicole Weider, Project Inspired is a safe place to find clear, inspiring and positive messages of hope, victory and promise in a culture where it can sometimes be tough to navigate relationships, Christian-living and social media. Drawing from her own experience and Project Inspired’s community of contributors, we want you to know that no one journeys alone. Get all the latest inspiring Christian content from Project Inspired at projectinspired.com
SOURCE Vertical Entertainment
We wish to say thanks to the author of this post for this remarkable web content
[date_timestamp] => 1651197795
)
[3] => Array
(
[title] => Jeep Gladiator: lanzamiento en Argentina, desde U$S 93.000 ? 16 Valvulas
[link] => https://movies.fuzzyskunk.com/healthandscience/jeep-gladiator-lanzamiento-en-argentina-desde-us-93-000-16-valvulas/
[dc] => Array
(
[creator] => Paula Hooper
)
[pubdate] => Fri, 29 Apr 2022 01:38:12 +0000
[category] => Health And ScienceArgentinadesdeGladiatorJeeplanzamientoValvulas
[guid] => https://movies.fuzzyskunk.com/?p=16405
[description] => Luego de varias idas y vueltas, retrasos en su llegada e inclusive en su fecha de presentación, finalmente la Jeep Gladiator desembarca oficialmente en nuestro mercado: fue develada este lunes en un evento virtual transmitido a través del canal de YouTube de la marca y ya está disponible en los concesionarios. La pick up llega ... Read more
[content] => Array
(
[encoded] =>
Luego de varias idas y vueltas, retrasos en su llegada e inclusive en su fecha de presentación, finalmente la Jeep Gladiator desembarca oficialmente en nuestro mercado: fue develada este lunes en un evento virtual transmitido a través del canal de YouTube de la marca y ya está disponible en los concesionarios.
La pick up llega con el antecedente de ser un verdadero éxito en ventas en Estados Unidos, apoyada en su destacable capacidad fuera del asfalto heredada del Wrangler y su mayor versatilidad para transportar cargas. Vale recordar que gran parte de sus datos ya estaban publicados desde hace algunas semanas en la web de Jeep, por lo que ya sabíamos que estaban confirmadas las versiones Overland y Rubicon.
Estas son sus características principales:
Lo nuevo:
Es la esperada pick up mediana de Jeep, basada en el Wrangler Unlimited, manteniendo gran parte de sus capacidades off road, pero con la versatilidad que agrega la caja de carga.
Estéticamente, su diseño está claramente inspirado en el Wrangler JL, desde el frente hasta las puertas traseras es prácticamente idéntico. La novedad es obviamente la caja de carga, que cuenta con una capacidad de 725 kilos. No llega a los 1.000 kg de una camioneta mediana tradicional, aunque tampoco es su propósito directo, su esencia sigue siendo el comportamiento y las prestaciones fuera del asfalto. Del todoterreno mantiene incluso la posibilidad de desmontar todo el techo y rebatir el parabrisas, dejando el habitáculo completamente al descubierto.
Del Wrangler hereda también su motorización V6 Pentastar y el sistema de tracción, con caja de transferencia y sistema SelecTrac, que agrega más funciones de acuerdo al terreno por el que se transite. Además, la versión Rubicon incluye doble bloqueo de diferencial y barra estabilizadora desconectable.
Dimensiones:
5.537 mm de largo, 1.874 mm de ancho (con espejos), 1.905 mm de alto (Overland) 1.939 mm (Rubicon) y 3.479 mm de distancia entre ejes. La capacidad del tanque de combustible es de 83,2 litros.
Versiones:
En nuestro mercado se ofrecerá, al menos inicialmente, en dos versiones (Overland y Rubicon), con la misma motorización.
Equipamiento de confort:
La versión Overland cuenta con espejos eléctricos calefaccionados, climatizador automático bizona, apoyabrazos central delantero, butacas delanteras con múltiples regulaciones, asientos traseros rebatibles 60/40, tapizado de cuero, computadora de a bordo con display de 7?, volante multifunción revestido en cuero, levantavidrios eléctricos con one touch, iluminación ambiental interior de Led, sistema multimedia Uconnect con pantalla táctil de 8,4? compatible con Android Auto y Apple CarPlay, equipo de sonido Alpine, encendido remoto, puertos USB/AUX, encendido por botón, cámara de retroceso y cámara delantera off road, llantas de aleación de 18?, ganchos de remolque delanteros y traseros, protector metálico de tanque de combustible, transmisión, caja de transferencia y de barra estabilizadora.
La versión Rubicon agrega: agrega capot con toma de aire, techo rígido de color negro y de lona (desmontable), protector de zócalos Rock-Rails y cobertor de caja de carga (roll-up).
Equipamiento de seguridad:
Las dos versiones cuentan con airbags frontales y laterales, control de tracción, control de estabilidad, asistente al arranque/descenso de pendientes, anclajes Isofix, frenos a disco en las cuatro ruedas con ABS/EBD/BA, control de oscilaciones de remolque, faros antiniebla delanteros, espejo retrovisor electrocrómico y rueda de auxilio homogénea.
Ambas agregan un paquete de asistencias a la conducción compuesto por el control de velocidad crucero adaptativo con función Stop, detector de punto ciego, alerta de colisión frontal y de tráfico cruzado trasero.
Mecánica:
Comparte la motorización con el Wrangler: ambas versiones están impulsadas por el propulsor naftero V6 Pentastar de 3.6 litros, que desarrolla 285 CV a 6.400 rpm y 353 Nm de torque a 4.800 rpm, acoplado a la caja automática ZF de 8 velocidades.
En cuanto a la tracción, la Overland cuenta con el sistema Selec Trac Active con reductora, función Selec Speed (para travesías) mientras que la Rubicon utiliza el sistema Roc Trac con reductora, doble bloqueo de diferencial, barra estabilizadora desconectable, ejes Dana y función Off Road+.
Ficha técnica:
Características técnicas y equipamiento Jeep Gladiator
Precios y garantía:
Jeep Gladiator Overland 3.6 AT8 4×4: U$S 93.000
Jeep Gladiator Rubicon 3.6 AT8 4×4: U$S 99.000
Garantía de 3 años o 100.000 kilómetros.
We would like to say thanks to the writer of this short article for this awesome content
)
[summary] => Luego de varias idas y vueltas, retrasos en su llegada e inclusive en su fecha de presentación, finalmente la Jeep Gladiator desembarca oficialmente en nuestro mercado: fue develada este lunes en un evento virtual transmitido a través del canal de YouTube de la marca y ya está disponible en los concesionarios. La pick up llega ... Read more
[atom_content] =>
Luego de varias idas y vueltas, retrasos en su llegada e inclusive en su fecha de presentación, finalmente la Jeep Gladiator desembarca oficialmente en nuestro mercado: fue develada este lunes en un evento virtual transmitido a través del canal de YouTube de la marca y ya está disponible en los concesionarios.
La pick up llega con el antecedente de ser un verdadero éxito en ventas en Estados Unidos, apoyada en su destacable capacidad fuera del asfalto heredada del Wrangler y su mayor versatilidad para transportar cargas. Vale recordar que gran parte de sus datos ya estaban publicados desde hace algunas semanas en la web de Jeep, por lo que ya sabíamos que estaban confirmadas las versiones Overland y Rubicon.
Estas son sus características principales:
Lo nuevo:
Es la esperada pick up mediana de Jeep, basada en el Wrangler Unlimited, manteniendo gran parte de sus capacidades off road, pero con la versatilidad que agrega la caja de carga.
Estéticamente, su diseño está claramente inspirado en el Wrangler JL, desde el frente hasta las puertas traseras es prácticamente idéntico. La novedad es obviamente la caja de carga, que cuenta con una capacidad de 725 kilos. No llega a los 1.000 kg de una camioneta mediana tradicional, aunque tampoco es su propósito directo, su esencia sigue siendo el comportamiento y las prestaciones fuera del asfalto. Del todoterreno mantiene incluso la posibilidad de desmontar todo el techo y rebatir el parabrisas, dejando el habitáculo completamente al descubierto.
Del Wrangler hereda también su motorización V6 Pentastar y el sistema de tracción, con caja de transferencia y sistema SelecTrac, que agrega más funciones de acuerdo al terreno por el que se transite. Además, la versión Rubicon incluye doble bloqueo de diferencial y barra estabilizadora desconectable.
Dimensiones:
5.537 mm de largo, 1.874 mm de ancho (con espejos), 1.905 mm de alto (Overland) 1.939 mm (Rubicon) y 3.479 mm de distancia entre ejes. La capacidad del tanque de combustible es de 83,2 litros.
Versiones:
En nuestro mercado se ofrecerá, al menos inicialmente, en dos versiones (Overland y Rubicon), con la misma motorización.
Equipamiento de confort:
La versión Overland cuenta con espejos eléctricos calefaccionados, climatizador automático bizona, apoyabrazos central delantero, butacas delanteras con múltiples regulaciones, asientos traseros rebatibles 60/40, tapizado de cuero, computadora de a bordo con display de 7?, volante multifunción revestido en cuero, levantavidrios eléctricos con one touch, iluminación ambiental interior de Led, sistema multimedia Uconnect con pantalla táctil de 8,4? compatible con Android Auto y Apple CarPlay, equipo de sonido Alpine, encendido remoto, puertos USB/AUX, encendido por botón, cámara de retroceso y cámara delantera off road, llantas de aleación de 18?, ganchos de remolque delanteros y traseros, protector metálico de tanque de combustible, transmisión, caja de transferencia y de barra estabilizadora.
La versión Rubicon agrega: agrega capot con toma de aire, techo rígido de color negro y de lona (desmontable), protector de zócalos Rock-Rails y cobertor de caja de carga (roll-up).
Equipamiento de seguridad:
Las dos versiones cuentan con airbags frontales y laterales, control de tracción, control de estabilidad, asistente al arranque/descenso de pendientes, anclajes Isofix, frenos a disco en las cuatro ruedas con ABS/EBD/BA, control de oscilaciones de remolque, faros antiniebla delanteros, espejo retrovisor electrocrómico y rueda de auxilio homogénea.
Ambas agregan un paquete de asistencias a la conducción compuesto por el control de velocidad crucero adaptativo con función Stop, detector de punto ciego, alerta de colisión frontal y de tráfico cruzado trasero.
Mecánica:
Comparte la motorización con el Wrangler: ambas versiones están impulsadas por el propulsor naftero V6 Pentastar de 3.6 litros, que desarrolla 285 CV a 6.400 rpm y 353 Nm de torque a 4.800 rpm, acoplado a la caja automática ZF de 8 velocidades.
En cuanto a la tracción, la Overland cuenta con el sistema Selec Trac Active con reductora, función Selec Speed (para travesías) mientras que la Rubicon utiliza el sistema Roc Trac con reductora, doble bloqueo de diferencial, barra estabilizadora desconectable, ejes Dana y función Off Road+.
Ficha técnica:
Características técnicas y equipamiento Jeep Gladiator
Precios y garantía:
Jeep Gladiator Overland 3.6 AT8 4×4: U$S 93.000
Jeep Gladiator Rubicon 3.6 AT8 4×4: U$S 99.000
Garantía de 3 años o 100.000 kilómetros.
We would like to say thanks to the writer of this short article for this awesome content
[date_timestamp] => 1651196056
)
[5] => Array
(
[title] => Social media reacts to video Vin Diesel posted on Instagram with Justin Lin days before he quit
[link] => https://movies.fuzzyskunk.com/movie-actors/social-media-reacts-to-video-vin-diesel-posted-on-instagram-with-justin-lin-days-before-he-quit/
[dc] => Array
(
[creator] => Tony Grantly
)
[pubdate] => Fri, 29 Apr 2022 01:11:07 +0000
[category] => Movie ActorsdaysDieselInstagramJustinLinmediapostedquitreactssocialVideoVin
[guid] => https://movies.fuzzyskunk.com/?p=16394
[description] => Social media has gone into overload at a video of Justin Lin posted by Vin Diesel the day before the Fast & Furious 10 director quit. Lin said Tuesday that he will not direct Fast X, the tenth installment in the Fast & Furious film series, just days after production commenced on the action film. In ... Read more
[content] => Array
(
[encoded] =>
Social media has gone into overload at a video of Justin Lin posted by Vin Diesel the day before the Fast & Furious 10 director quit.
Lin said Tuesday that he will not direct Fast X, the tenth installment in the Fast & Furious film series, just days after production commenced on the action film.
In a video taken the day before, Lin looked awkward as Diesel quizzed him about the first week of filming. It’s likely Lin already knew he was quitting as director when the action actor filmed the clip.
Users on Twitter even joked Viesel had taken Lin ‘hostage’.
Social media has gone into overload at a video of Justin Lin posted by Vin Diesel the day before the Fast & Furious 10 director quit
In the video Diesel asked Lin where he’s ‘been’.
Lin said: ‘Week one. Just finished week one.’
After Diesel asks, ‘How does it feel?’ Lin said ‘it feels like the beginning of, uh… of an epic… ending’.
The actor asked: ‘Is it fair to say this is going to be the best one?’
Lin, looking slightly awkward, replied: ‘In my heart, yes.’
Social media user Louie Shmurda said: ‘I mean bro, Justin Lin looks like he wants to cry.’
Another added: ‘Vin Diesel seemed to be holding Lin hostage.’
Meanwhile, Twitter user Matt said: ‘Man Justin Lin looked like he was not having a great time in that Vin video. People like to hate on F9 but I highly doubt it was his fault, he didn’t write the script.’
The 50-year-old filmmaker issued a statement on the Instagram account of the upcoming movie, which he penned the script for alongside Dan Mazeau.
‘With the support of Universal, I have made the difficult decision to step back as director of Fast X, while remaining with the project as a producer,’ Lin said.
‘Over 10 years and five films, we have been able to shoot the best actors, the best stunts, and the best damn car chases.
Vin Diesel smiled as he quizzed Justin Lin about the first week of filming, although Lin quit the very next day
It’s likely Lin already knew he was quitting as director when the action actor filmed the clip
‘On a personal note, as the child of Asian immigrants, I am proud of helping to build the most diverse franchise in movie history. I will forever be grateful to the amazing cast, crew and studio for their support, and for welcoming me into the Fast family.’
Production on the film’s main unit – which began April 20 – has been put on hold amid Universal’s search for a new director, insiders told Variety, as the second unit is continuing to work on the movie.
Lin last June spoke with Variety about finishing off the film franchise with the tenth and eleventh films, recalling how he ‘used to sit around’ and talk with Vin Diesel and the late Paul Walker about the creative direction the film franchise would take at its conclusion.
‘I thought it was just an exercise, I never thought we were able to ever realize it – so it was very much in theory,’ he said. ‘Then when I came back Vin pulled me aside and said, ‘We’re doing it.’ So, in a way it felt like F9 is about celebrating 20 years of this journey, but also just pointing it into this last chapter that we’ve been talking about for years.’
The latest: Justin Lin, 50, said on Tuesday that he will not direct Fast X, the tenth installment in the Fast & Furious film series, just days after production commenced on the action film. He was snapped last June in LA at the F9 premiere
The filmmaker issued a statement regarding his status on the Instagram account of the upcoming movie
Lin was seen on the set of F9 working alongside director of photography Stephen F. Windon
Lin had been in the director’s chair for five of the films: 2006’s The Fast and the Furious: Tokyo Drift, 2009’s Fast & Furious, 2011’s Fast Five, 2013’s Fast & Furious 6 and last year’s F9.
Fast X features mainstays such as Vin Diesel, Michelle Rodriguez, Tyrese Gibson, Sung Kang, Ludacris, Jordana Brewster, Charlize Theron and Nathalie Emmanuel. Notable additions to the cast include Jason Momoa, Brie Larson, Daniela Melchior and Michael Rooker. Musical superstar Cardi B, who made a brief appearance in F9, is also slated to appear in the movie.
Notably absent from the cast is Dwayne ‘The Rock’ Johnson, who has played Luke Hobbs in multiple films in the franchise.
Diesel attempted to recruit Johnson to appear in the film by taking to social media last November in hopes of persuading him to reprise his role of Hobbs.
‘My little brother Dwayne… the time has come,’ Diesel said. ‘As you know, my children refer to you as Uncle Dwayne in my house.
‘There is not a holiday that goes by that they and you don’t send well wishes… but the time has come. Legacy awaits.’
Diesel said he ‘was going to fulfill [his] promise’ to the late Walker, adding, ‘I say this out of love… but you must show up, do not leave the franchise idle you have a very important role to play. Hobbs can’t be played by no other. I hope that you rise to the occasion and fulfill your destiny.’
Johnson, speaking with CNN in December, reiterated ‘there was no chance [he] would return’ and said that he was ‘very surprised’ after Diesel went public with his plea after they had ‘came to a clear understanding’ months before that he wasn’t going to come back to the film franchise.
‘Vin’s recent public post was an example of his manipulation,’ Johnson said, adding he ‘didn’t like that he brought up his children in the post, as well as Paul Walker’s death,’ adding, ‘Leave them out of it.’
The rift between Johnson and Diesel went public in 2016 when Johnson wrote on Instagram, ‘Some conduct themselves as stand up men and true professionals, while others don’t. The ones that don’t are too chicken s*** to do anything about it anyway. Candy a**es.’
The long-running film franchise is centered around Vin Diesel, who plays the role of Dominic Toretto
Diesel and Dwayne Johnson (pictured in 2011’s Fast & Furious 5) have had a long-running rift stemming from their work on the films
Diesel told Men’s Health last year that he ‘could give a lot of tough love’ while working with Johnson on the action films: ‘Not Felliniesque, but I would do anything I’d have to do in order to get performances in anything I’m producing.’
In response, Johnson told Vanity Fair, ‘One part of me feels like there’s no way I would dignify any of that bull**** with an answer. I’ve been around the block a lot of times. Unlike [Diesel], I did not come from the world of theater. And, you know, I came up differently and was raised differently.’
Johnson said he ‘came from a completely different culture and environment’ and ventures ‘into every project giving it [his] all.
‘And if I feel that there’s some things that need to be squared away and handled and taken care of, then I do it. And it’s just that simple. So when I read that, just like everybody else, I laughed. I laughed hard. We all laughed. And somewhere I’m sure Fellini is laughing too.’
The film is slated to arrive in theaters May 19, 2023.
We would like to thank the writer of this post for this remarkable material
)
[summary] => Social media has gone into overload at a video of Justin Lin posted by Vin Diesel the day before the Fast & Furious 10 director quit. Lin said Tuesday that he will not direct Fast X, the tenth installment in the Fast & Furious film series, just days after production commenced on the action film. In ... Read more
[atom_content] =>
Social media has gone into overload at a video of Justin Lin posted by Vin Diesel the day before the Fast & Furious 10 director quit.
Lin said Tuesday that he will not direct Fast X, the tenth installment in the Fast & Furious film series, just days after production commenced on the action film.
In a video taken the day before, Lin looked awkward as Diesel quizzed him about the first week of filming. It’s likely Lin already knew he was quitting as director when the action actor filmed the clip.
Users on Twitter even joked Viesel had taken Lin ‘hostage’.
Social media has gone into overload at a video of Justin Lin posted by Vin Diesel the day before the Fast & Furious 10 director quit
In the video Diesel asked Lin where he’s ‘been’.
Lin said: ‘Week one. Just finished week one.’
After Diesel asks, ‘How does it feel?’ Lin said ‘it feels like the beginning of, uh… of an epic… ending’.
The actor asked: ‘Is it fair to say this is going to be the best one?’
Lin, looking slightly awkward, replied: ‘In my heart, yes.’
Social media user Louie Shmurda said: ‘I mean bro, Justin Lin looks like he wants to cry.’
Another added: ‘Vin Diesel seemed to be holding Lin hostage.’
Meanwhile, Twitter user Matt said: ‘Man Justin Lin looked like he was not having a great time in that Vin video. People like to hate on F9 but I highly doubt it was his fault, he didn’t write the script.’
The 50-year-old filmmaker issued a statement on the Instagram account of the upcoming movie, which he penned the script for alongside Dan Mazeau.
‘With the support of Universal, I have made the difficult decision to step back as director of Fast X, while remaining with the project as a producer,’ Lin said.
‘Over 10 years and five films, we have been able to shoot the best actors, the best stunts, and the best damn car chases.
Vin Diesel smiled as he quizzed Justin Lin about the first week of filming, although Lin quit the very next day
It’s likely Lin already knew he was quitting as director when the action actor filmed the clip
‘On a personal note, as the child of Asian immigrants, I am proud of helping to build the most diverse franchise in movie history. I will forever be grateful to the amazing cast, crew and studio for their support, and for welcoming me into the Fast family.’
Production on the film’s main unit – which began April 20 – has been put on hold amid Universal’s search for a new director, insiders told Variety, as the second unit is continuing to work on the movie.
Lin last June spoke with Variety about finishing off the film franchise with the tenth and eleventh films, recalling how he ‘used to sit around’ and talk with Vin Diesel and the late Paul Walker about the creative direction the film franchise would take at its conclusion.
‘I thought it was just an exercise, I never thought we were able to ever realize it – so it was very much in theory,’ he said. ‘Then when I came back Vin pulled me aside and said, ‘We’re doing it.’ So, in a way it felt like F9 is about celebrating 20 years of this journey, but also just pointing it into this last chapter that we’ve been talking about for years.’
The latest: Justin Lin, 50, said on Tuesday that he will not direct Fast X, the tenth installment in the Fast & Furious film series, just days after production commenced on the action film. He was snapped last June in LA at the F9 premiere
The filmmaker issued a statement regarding his status on the Instagram account of the upcoming movie
Lin was seen on the set of F9 working alongside director of photography Stephen F. Windon
Lin had been in the director’s chair for five of the films: 2006’s The Fast and the Furious: Tokyo Drift, 2009’s Fast & Furious, 2011’s Fast Five, 2013’s Fast & Furious 6 and last year’s F9.
Fast X features mainstays such as Vin Diesel, Michelle Rodriguez, Tyrese Gibson, Sung Kang, Ludacris, Jordana Brewster, Charlize Theron and Nathalie Emmanuel. Notable additions to the cast include Jason Momoa, Brie Larson, Daniela Melchior and Michael Rooker. Musical superstar Cardi B, who made a brief appearance in F9, is also slated to appear in the movie.
Notably absent from the cast is Dwayne ‘The Rock’ Johnson, who has played Luke Hobbs in multiple films in the franchise.
Diesel attempted to recruit Johnson to appear in the film by taking to social media last November in hopes of persuading him to reprise his role of Hobbs.
‘My little brother Dwayne… the time has come,’ Diesel said. ‘As you know, my children refer to you as Uncle Dwayne in my house.
‘There is not a holiday that goes by that they and you don’t send well wishes… but the time has come. Legacy awaits.’
Diesel said he ‘was going to fulfill [his] promise’ to the late Walker, adding, ‘I say this out of love… but you must show up, do not leave the franchise idle you have a very important role to play. Hobbs can’t be played by no other. I hope that you rise to the occasion and fulfill your destiny.’
Johnson, speaking with CNN in December, reiterated ‘there was no chance [he] would return’ and said that he was ‘very surprised’ after Diesel went public with his plea after they had ‘came to a clear understanding’ months before that he wasn’t going to come back to the film franchise.
‘Vin’s recent public post was an example of his manipulation,’ Johnson said, adding he ‘didn’t like that he brought up his children in the post, as well as Paul Walker’s death,’ adding, ‘Leave them out of it.’
The rift between Johnson and Diesel went public in 2016 when Johnson wrote on Instagram, ‘Some conduct themselves as stand up men and true professionals, while others don’t. The ones that don’t are too chicken s*** to do anything about it anyway. Candy a**es.’
The long-running film franchise is centered around Vin Diesel, who plays the role of Dominic Toretto
Diesel and Dwayne Johnson (pictured in 2011’s Fast & Furious 5) have had a long-running rift stemming from their work on the films
Diesel told Men’s Health last year that he ‘could give a lot of tough love’ while working with Johnson on the action films: ‘Not Felliniesque, but I would do anything I’d have to do in order to get performances in anything I’m producing.’
In response, Johnson told Vanity Fair, ‘One part of me feels like there’s no way I would dignify any of that bull**** with an answer. I’ve been around the block a lot of times. Unlike [Diesel], I did not come from the world of theater. And, you know, I came up differently and was raised differently.’
Johnson said he ‘came from a completely different culture and environment’ and ventures ‘into every project giving it [his] all.
‘And if I feel that there’s some things that need to be squared away and handled and taken care of, then I do it. And it’s just that simple. So when I read that, just like everybody else, I laughed. I laughed hard. We all laughed. And somewhere I’m sure Fellini is laughing too.’
The film is slated to arrive in theaters May 19, 2023.
We would like to thank the writer of this post for this remarkable material
[date_timestamp] => 1651194667
)
[6] => Array
(
[title] => How Focus Features? ?Downton Abbey: A New Era? Ushers In Specialty Label?s First Franchise ? CinemaCon
[link] => https://movies.fuzzyskunk.com/movie-production-companies/how-focus-features-downton-abbey-a-new-era-ushers-in-specialty-labels-first-franchise-cinemacon/
[dc] => Array
(
[creator] => Sally Scully
)
[pubdate] => Thu, 28 Apr 2022 23:27:14 +0000
[category] => Movie Production CompaniesAbbeyCinemaConDowntoneraFeaturesFocusFranchiseLabelsSpecialtyushers
[guid] => https://movies.fuzzyskunk.com/?p=16388
[description] => EXCLUSIVE: When Downton Abbey first burst on the scene in 2010, the Julian Fellowes-created series quickly drew audiences and made headlines for its unique spin on the traditional British period drama. This was not your grandmother?s upstairs/downstairs look at the upper crust, rather its take on the aristocracy gave contemporary audiences characters and storylines they ... Read more
[content] => Array
(
[encoded] =>
EXCLUSIVE: When Downton Abbey first burst on the scene in 2010, the Julian Fellowes-created series quickly drew audiences and made headlines for its unique spin on the traditional British period drama. This was not your grandmother?s upstairs/downstairs look at the upper crust, rather its take on the aristocracy gave contemporary audiences characters and storylines they could relate to with strong women, quotable dialogue and tons of heart.
Now, 12 years later comes Focus Features? Downton Abbey: A New Era, the feature sequel to the 2019 hit film that notched $238 million in worldwide box office and became the studio?s highest-grossing title ever domestically. But A New Era isn?t just a sequel, it also establishes Focus? first bona fide franchise ? a rare beast in the specialty arena. It?s also a sign of the way the company, which is celebrating its 20th anniversary, is thinking about its future.
Directed by Simon Curtis and featuring the original cast, A New Era starts offshore rollout this week, including in the UK on Friday, and lands in North America on May 20, taking audiences on a trip to the South of France while also saving plenty of intrigue for the folks on the Grantham estate.
Deadline recently spoke with Focus chairman Peter Kujawski, vice chairman Jason Cassidy and Downton producer Gareth Neame, who is executive chairman of NBCUniversal International-owned Carnival Films and has been there since the series? inception. The trio discussed the latest film, attracting new audiences and where things go from here. (The conversation below has been condensed and edited for clarity.)
DEADLINE: Walk me through how A New Era establishes Focus? first franchise, rather than being considered simply a sequel.
PETER KUJAWSKI: We?ve found that the power of the relationship that the audience has to this world and these characters and this glimpse into the shifting landscapes of the eras that Downton is talking about, has built the same kind of thing ? but in different ways and to a different crowd ? to engage in a manner that is similar to the biggest and broadest franchises that exist out there as well.
Focus Features
You had the show, you?ve now got a couple movies, you have the touring exhibition that has been a giant global hit anywhere it?s gone, and podcasts and digital series. There?s going to be a bunch of original Downton content that is tied to the release of this movie, stories and the world in and of itself for people to spend time with.
(Original video series) Inside The Downton Kitchen and the Fireside Chat with Julian Fellowes and things like that truly in this space kind of crib on what you see more happening on the large studio scale with classic IP superheroes and action movies.
I think we?ve been lucky beneficiaries of what had been built before and the chance to make the (first) movie and then joining the Downton family and really leaning into the idea that a franchise is more than just sequels. It?s broader.
GARETH NEAME: I think we?re now just breaking into the area of, ?Okay this was a hit TV show, it?s been a hit movie, hopefully it?s a successful sequel,? and I think that we?re in that space where rightly, Focus, Universal and we are looking at this as a prime piece of IP within the wider group and what can you do, what are these companies supposed to do actually when they have got these big pieces of the crown jewels.
It does feel to me like five years ago I would have been happy with six successful seasons and one movie to demonstrate that it works on the big screen. Of course the more things go on you think, ?No, I don?t want it to end yet, there is more to do.?
DEADLINE: Are you going to do a third film?
KUJAWSKI: All our focus right now is making this film connect with audiences. But of course it would also be foolish of us not to be contemplating the idea of what Downton can continue to be to audiences and what a future would look like. Right now it?s really about this movie and a lot of things that we?re talking about that are on the edge of this movie that are Downton related.
NEAME: I would like to do another movie, and I?m very optimistic about this film, particularly for the fans. It?s a very special treat. It?s more focused on the core characters than the first film. It?s a family story and inevitably its construction is very easy to relate to if you?re a fan.
Peter Kujawski
KUJAWSKI: It?s your favorite family that not only has an adventure at home, but also the discovery of a secret that takes them to the South of France. It feels like an event and the filmmakers have gone above and beyond this time.
DEADLINE: Is there room to attract new and younger audiences who perhaps weren?t a part of that zeitgeist moment when the series first aired?
JASON CASSIDY: When we started on this journey, it was certainly an older audience. As we?ve gone through the success of the movie ? it did $100M domestic, you don?t do that by just playing to older audiences ? we were frankly surprised and thrilled that there were 25-40-year-olds making up a very significant part of the audience.
So we think about those audiences that are on the younger side that?s really grown and the digital content has helped build up the franchise. It?s given a real opportunity to grow it, because you don?t get the response in box office and then in the after markets from just the older audience. The age has definitely come down even as we?ve been on it. I would think in the world of people watching The Gilded Age and Bridgerton, content and shows and movies that are in this space, broadly speaking, are drawing in new eyeballs and younger eyeballs. You?re able to say, ?Oh, you like Bridgerton? Boom, you?re gonna like this.?
Focus Features
KUJAWSKI: This was in a way the original and I think real credit is due to the particular genius of Julian and Gareth and how, from the get-go, before a frame of the series was shot, they saw what this genre could be.
It hit very quickly and I think it?s because they tapped into this notion that underneath the world they were talking about in terms of the classic British heritage was actually a ton of modern stuff. They knew that, and the entire series and the movies as well has always been propelled by fundamental things everyone feels all the time everywhere. Like the anxiety of just the new, the era is always changing on you and how do you respond to that and what is history and tradition, what it means to move forward. You look at the journey of Thomas Barrow over the course of the franchise which has never allowed itself to be defined by typical genre trappings. These characters are people you feel and related to in a completely contemporary and present-day sense while existing in this world of aspirational wealth and beauty and travel and all the things that the series promises ? and that?s not a generational thing.
DEADLINE: You make these movies for a price, but there is a great deal of location shooting and a huge cast; how has that evolved?
KUJAWSKI: Certainly with the first film we wanted to make sure that we were building the production in a way that it could have the promise to really reignite the fervor that existed for the series, but draw it as a theatrical imperative. So, we were also kind of tactical and cautious about that. I think because of the overwhelming and immediate success from the outset through the release of the movie, certainly on this movie there was no hesitation for us to kind of amp that up.
DEADLINE: So you spent more money?
KUJAWSKI: For sure, and that was to deliver what the promise of this movie had been from the very first conversations with Gareth and Julian ? this idea of going to the South of France and all that. We wanted to make sure that it was truly a grand adventure in a grand and broad and beautiful way.
Carnival Films
DEADLINE: Gareth, I recall before you made the first movie one of your concerns was the sort of herding of cats of such a big cast?
NEAME: It was a concern for the first one because in the same way as it was a stony path to migrate to the big screen, I would think that it would be quite reasonable that the actors had the same reservations. At every stage, Downton exceeded expectations, so was this going to be the one that failed? They were cautious, and then that film worked, so coming into the second film was much much easier because there were no qualms about going again.
DEADLINE: Generally speaking of Focus, you guys opened 23 films exclusively in cinemas since 2020 and the last two years have been the company?s busiest in terms of production (led by Kiska Higgs, President of Production & Acquisitions) while also maintaining the top position among specialty labels four out of the past five years. What does the future look like? Will you aim to make more franchises?
KUJAWSKI: We?re at an awfully exciting juncture as a company ourselves. We are still a theatrical company that has actually massively increased our release line during the pandemic rather than going the other way ? and we have all of the support in the world to continue to do that and lean in to that. That?s indicative of the way we?re starting to think about what the future of our slate and world looks like, of using the entire apparatus to truly make franchises that aren?t just about let?s go back in the library and make a sequel to this movie. It may include some of that, but it will include a broader reach-around.
We made Hanna with Joe Wright back in the day and that became a TV series on Amazon. That kind of stuff can now flow much more naturally and organically in the kind of holistic plan we can do with the slate, our movies, our filmmakers. It?s about supercharged injection to the storytelling capabilities of the people that we?re incredibly lucky to work with, and I think that everyone?s mindset is shifting to get that it?s not just the individual movie. Each moment that you?re launching a movie you can build a world around it, you can build additional stuff that broadens the story, broadens the world, broadens your relationship with those characters, and then from there maybe another movie comes and you do the same thing in an even broader way. That is certainly an active part of our thinking.
We would like to thank the author of this short article for this remarkable material
)
[summary] => EXCLUSIVE: When Downton Abbey first burst on the scene in 2010, the Julian Fellowes-created series quickly drew audiences and made headlines for its unique spin on the traditional British period drama. This was not your grandmother?s upstairs/downstairs look at the upper crust, rather its take on the aristocracy gave contemporary audiences characters and storylines they ... Read more
[atom_content] =>
EXCLUSIVE: When Downton Abbey first burst on the scene in 2010, the Julian Fellowes-created series quickly drew audiences and made headlines for its unique spin on the traditional British period drama. This was not your grandmother?s upstairs/downstairs look at the upper crust, rather its take on the aristocracy gave contemporary audiences characters and storylines they could relate to with strong women, quotable dialogue and tons of heart.
Now, 12 years later comes Focus Features? Downton Abbey: A New Era, the feature sequel to the 2019 hit film that notched $238 million in worldwide box office and became the studio?s highest-grossing title ever domestically. But A New Era isn?t just a sequel, it also establishes Focus? first bona fide franchise ? a rare beast in the specialty arena. It?s also a sign of the way the company, which is celebrating its 20th anniversary, is thinking about its future.
Directed by Simon Curtis and featuring the original cast, A New Era starts offshore rollout this week, including in the UK on Friday, and lands in North America on May 20, taking audiences on a trip to the South of France while also saving plenty of intrigue for the folks on the Grantham estate.
Deadline recently spoke with Focus chairman Peter Kujawski, vice chairman Jason Cassidy and Downton producer Gareth Neame, who is executive chairman of NBCUniversal International-owned Carnival Films and has been there since the series? inception. The trio discussed the latest film, attracting new audiences and where things go from here. (The conversation below has been condensed and edited for clarity.)
DEADLINE: Walk me through how A New Era establishes Focus? first franchise, rather than being considered simply a sequel.
PETER KUJAWSKI: We?ve found that the power of the relationship that the audience has to this world and these characters and this glimpse into the shifting landscapes of the eras that Downton is talking about, has built the same kind of thing ? but in different ways and to a different crowd ? to engage in a manner that is similar to the biggest and broadest franchises that exist out there as well.
Focus Features
You had the show, you?ve now got a couple movies, you have the touring exhibition that has been a giant global hit anywhere it?s gone, and podcasts and digital series. There?s going to be a bunch of original Downton content that is tied to the release of this movie, stories and the world in and of itself for people to spend time with.
(Original video series) Inside The Downton Kitchen and the Fireside Chat with Julian Fellowes and things like that truly in this space kind of crib on what you see more happening on the large studio scale with classic IP superheroes and action movies.
I think we?ve been lucky beneficiaries of what had been built before and the chance to make the (first) movie and then joining the Downton family and really leaning into the idea that a franchise is more than just sequels. It?s broader.
GARETH NEAME: I think we?re now just breaking into the area of, ?Okay this was a hit TV show, it?s been a hit movie, hopefully it?s a successful sequel,? and I think that we?re in that space where rightly, Focus, Universal and we are looking at this as a prime piece of IP within the wider group and what can you do, what are these companies supposed to do actually when they have got these big pieces of the crown jewels.
It does feel to me like five years ago I would have been happy with six successful seasons and one movie to demonstrate that it works on the big screen. Of course the more things go on you think, ?No, I don?t want it to end yet, there is more to do.?
DEADLINE: Are you going to do a third film?
KUJAWSKI: All our focus right now is making this film connect with audiences. But of course it would also be foolish of us not to be contemplating the idea of what Downton can continue to be to audiences and what a future would look like. Right now it?s really about this movie and a lot of things that we?re talking about that are on the edge of this movie that are Downton related.
NEAME: I would like to do another movie, and I?m very optimistic about this film, particularly for the fans. It?s a very special treat. It?s more focused on the core characters than the first film. It?s a family story and inevitably its construction is very easy to relate to if you?re a fan.
Peter Kujawski
KUJAWSKI: It?s your favorite family that not only has an adventure at home, but also the discovery of a secret that takes them to the South of France. It feels like an event and the filmmakers have gone above and beyond this time.
DEADLINE: Is there room to attract new and younger audiences who perhaps weren?t a part of that zeitgeist moment when the series first aired?
JASON CASSIDY: When we started on this journey, it was certainly an older audience. As we?ve gone through the success of the movie ? it did $100M domestic, you don?t do that by just playing to older audiences ? we were frankly surprised and thrilled that there were 25-40-year-olds making up a very significant part of the audience.
So we think about those audiences that are on the younger side that?s really grown and the digital content has helped build up the franchise. It?s given a real opportunity to grow it, because you don?t get the response in box office and then in the after markets from just the older audience. The age has definitely come down even as we?ve been on it. I would think in the world of people watching The Gilded Age and Bridgerton, content and shows and movies that are in this space, broadly speaking, are drawing in new eyeballs and younger eyeballs. You?re able to say, ?Oh, you like Bridgerton? Boom, you?re gonna like this.?
Focus Features
KUJAWSKI: This was in a way the original and I think real credit is due to the particular genius of Julian and Gareth and how, from the get-go, before a frame of the series was shot, they saw what this genre could be.
It hit very quickly and I think it?s because they tapped into this notion that underneath the world they were talking about in terms of the classic British heritage was actually a ton of modern stuff. They knew that, and the entire series and the movies as well has always been propelled by fundamental things everyone feels all the time everywhere. Like the anxiety of just the new, the era is always changing on you and how do you respond to that and what is history and tradition, what it means to move forward. You look at the journey of Thomas Barrow over the course of the franchise which has never allowed itself to be defined by typical genre trappings. These characters are people you feel and related to in a completely contemporary and present-day sense while existing in this world of aspirational wealth and beauty and travel and all the things that the series promises ? and that?s not a generational thing.
DEADLINE: You make these movies for a price, but there is a great deal of location shooting and a huge cast; how has that evolved?
KUJAWSKI: Certainly with the first film we wanted to make sure that we were building the production in a way that it could have the promise to really reignite the fervor that existed for the series, but draw it as a theatrical imperative. So, we were also kind of tactical and cautious about that. I think because of the overwhelming and immediate success from the outset through the release of the movie, certainly on this movie there was no hesitation for us to kind of amp that up.
DEADLINE: So you spent more money?
KUJAWSKI: For sure, and that was to deliver what the promise of this movie had been from the very first conversations with Gareth and Julian ? this idea of going to the South of France and all that. We wanted to make sure that it was truly a grand adventure in a grand and broad and beautiful way.
Carnival Films
DEADLINE: Gareth, I recall before you made the first movie one of your concerns was the sort of herding of cats of such a big cast?
NEAME: It was a concern for the first one because in the same way as it was a stony path to migrate to the big screen, I would think that it would be quite reasonable that the actors had the same reservations. At every stage, Downton exceeded expectations, so was this going to be the one that failed? They were cautious, and then that film worked, so coming into the second film was much much easier because there were no qualms about going again.
DEADLINE: Generally speaking of Focus, you guys opened 23 films exclusively in cinemas since 2020 and the last two years have been the company?s busiest in terms of production (led by Kiska Higgs, President of Production & Acquisitions) while also maintaining the top position among specialty labels four out of the past five years. What does the future look like? Will you aim to make more franchises?
KUJAWSKI: We?re at an awfully exciting juncture as a company ourselves. We are still a theatrical company that has actually massively increased our release line during the pandemic rather than going the other way ? and we have all of the support in the world to continue to do that and lean in to that. That?s indicative of the way we?re starting to think about what the future of our slate and world looks like, of using the entire apparatus to truly make franchises that aren?t just about let?s go back in the library and make a sequel to this movie. It may include some of that, but it will include a broader reach-around.
We made Hanna with Joe Wright back in the day and that became a TV series on Amazon. That kind of stuff can now flow much more naturally and organically in the kind of holistic plan we can do with the slate, our movies, our filmmakers. It?s about supercharged injection to the storytelling capabilities of the people that we?re incredibly lucky to work with, and I think that everyone?s mindset is shifting to get that it?s not just the individual movie. Each moment that you?re launching a movie you can build a world around it, you can build additional stuff that broadens the story, broadens the world, broadens your relationship with those characters, and then from there maybe another movie comes and you do the same thing in an even broader way. That is certainly an active part of our thinking.
We would like to thank the author of this short article for this remarkable material
[date_timestamp] => 1651188434
)
[7] => Array
(
[title] => ?365 Days: This Day? Has the Horniest Honeymoon Sequence Since ?Bridgerton? Season 1
[link] => https://movies.fuzzyskunk.com/streaming-services/365-days-this-day-has-the-horniest-honeymoon-sequence-since-bridgerton-season-1/
[dc] => Array
(
[creator] => Sally Scully
)
[pubdate] => Thu, 28 Apr 2022 22:46:09 +0000
[category] => Streaming ServicesBridgertondaydaysHoneymoonHorniestseasonSequence
[guid] => https://movies.fuzzyskunk.com/?p=16382
[description] => True love. Is it when your soul understands another?s or when your genitals are velcro-ed together for life? According to the poets, it?s both, but in the world of 365 Days: This Day, it?s only the sticky velcro one. The long-awaited sequel to summer 2020?s stupid horny hate watch 365 dni has finally arrived on ... Read more
[content] => Array
(
[encoded] =>
True love. Is it when your soul understands another?s or when your genitals are velcro-ed together for life? According to the poets, it?s both, but in the world of 365 Days: This Day, it?s only the sticky velcro one. The long-awaited sequel to summer 2020?s stupid horny hate watch 365 dni has finally arrived on Netflix. Where the last film ended on a deadly cliffhanger, 365 Days: This Day skips right to the happy ending. The movie opens with a groom seeing his bride in her dress before the wedding and then boning her hard al fresco. What follows is a strangely wholesome marriage ceremony that gives way to the horniest honeymoon sequence since Bridgerton Season 1.
If you like your sex scenes served with a healthy dose of absurdity and a pinch of ?holy shit, are these actors actually doing it?!??, then 365 Days: This Day delivers. From the very first scene to the utterly unbelievable climax.
365 Days: This Day is the second installment in a trilogy based on the books of Blanka Lipi?ska, a Polish cosmetologist who came up with her randy story while reading Fifty Shades of Grey on vacation in Italy. In the first film, 365 dni (or 365 Days), bored Polish sales rep Laura (Anna-Maria Sieklucka) goes to Italy on vacation. There she is kidnapped by ?Don? Massimo (Michele Morrone), a mafia lord who has been obsessed with Laura ever since he saw her on a beach years earlier. Massimo?s plan is to hold Laura hostage for 365 days in the hopes that Stockholm Syndrome is a real thing ? I?ve recently been told it?s not! ? and Laura will fall in love with him. Somehow it works. They have insane sex against a backdrop of wealth, violence, and the Mediterranean Sea.
Photo: Netflix
As mentioned, 365 Days: This Day starts on Massimo and Laura?s wedding day. He creeps up on his blushing (briefly blonde) bride and she whispers she?s not wearing panties. Minutes later, her best friend Olga (Magdalena Lamparska) walks in on them mid-hump, her own arms laden with wispy bits of fabric that might be that missing underwear. ?You?re sick people, you know that?? she says in English before calling them pervs in Polish. Is she talking about Massimo and Laura or us? Who can say?
The wedding night is as raunchy as you?d hope from the likes of Massimo and Laura. The domineering crime lord tells his lady love she has one hour to do whatever she wants, then it?s his turn. She rebuffs this, saying she?ll take control. (The good news is the sex feels 100% more consensual this time around? Eh?) She ties him up with her stockings and proceeds to pleasure herself nude. Disclaimer: this part looked hard to fake with movie magic so I am once again praying to ?sweet baby Jesus and the grown one, too? that there is a hell of an intimacy coordinator attached to this project. Finally, Laura asks her husband to take her the way she likes. He is an animal unleashed. She likes it, we are led to believe.
The next morning, Laura wakes ?Husband? by revealing she?s somehow managed to have a dye job in the wee hours of the morning. (I do want to know more about how Laura gets her hair and makeup done, though, because she is never disheveled after a sex scene. Hey, author Blanka Lipi?ska, can you add more of your cosmetology to the story? I need to know how this is possible!) They then embark on a honeymoon supercut that is Sandals resort ad meets soft core porn.
Photo: Netflix
The moment that will live with me forever isn?t when Massimo attempts to eat Laura?s face mid-kiss in a hot tub ? though that will likely stay with me until about November this year ? but when the two indulge in some ?fore? play. While golfing, Laura begins to pole dance on one of those flag things that notes a hole. [Ed. Note: It is indeed called a ?flag.?] She then sits down and spreads her legs over the tin cup. Massimo licks his lips. He blows on his club. He then puts his ball straight between his wife?s legs and scores a hole. [Ed. Note: In the parlance of golfers, this is called ?sinking a putt,? but I suppose that ?scores a hole? is a more apropos description for a movie like this.?] It?s a scene that only makes sense if you type it out and see all the double entendres for yourself. 365 Days: This Day is intellectually stimulating that way.
When Laura and Massimo return from vacation, they fall back into their old routine: Massimo is controlling, Laura is demanding, and the mafia families of Europe hatch wild schemes to tear these two horndogs apart. The rest of the film is a parade of over-the-top sex scenes, Tommy Wiseau-esque dialogue, and a plot twist involving a secret evil twin. (Really!)
But 365 Days: This Day starts in a moment of bliss for Massimo and Laura. It starts with the honeymoon. And then it?s all downhill (or consistently terrible) from there. I can?t wait for the third and final installment.
We would love to thank the writer of this post for this incredible content
)
[summary] => True love. Is it when your soul understands another?s or when your genitals are velcro-ed together for life? According to the poets, it?s both, but in the world of 365 Days: This Day, it?s only the sticky velcro one. The long-awaited sequel to summer 2020?s stupid horny hate watch 365 dni has finally arrived on ... Read more
[atom_content] =>
True love. Is it when your soul understands another?s or when your genitals are velcro-ed together for life? According to the poets, it?s both, but in the world of 365 Days: This Day, it?s only the sticky velcro one. The long-awaited sequel to summer 2020?s stupid horny hate watch 365 dni has finally arrived on Netflix. Where the last film ended on a deadly cliffhanger, 365 Days: This Day skips right to the happy ending. The movie opens with a groom seeing his bride in her dress before the wedding and then boning her hard al fresco. What follows is a strangely wholesome marriage ceremony that gives way to the horniest honeymoon sequence since Bridgerton Season 1.
If you like your sex scenes served with a healthy dose of absurdity and a pinch of ?holy shit, are these actors actually doing it?!??, then 365 Days: This Day delivers. From the very first scene to the utterly unbelievable climax.
365 Days: This Day is the second installment in a trilogy based on the books of Blanka Lipi?ska, a Polish cosmetologist who came up with her randy story while reading Fifty Shades of Grey on vacation in Italy. In the first film, 365 dni (or 365 Days), bored Polish sales rep Laura (Anna-Maria Sieklucka) goes to Italy on vacation. There she is kidnapped by ?Don? Massimo (Michele Morrone), a mafia lord who has been obsessed with Laura ever since he saw her on a beach years earlier. Massimo?s plan is to hold Laura hostage for 365 days in the hopes that Stockholm Syndrome is a real thing ? I?ve recently been told it?s not! ? and Laura will fall in love with him. Somehow it works. They have insane sex against a backdrop of wealth, violence, and the Mediterranean Sea.
Photo: Netflix
As mentioned, 365 Days: This Day starts on Massimo and Laura?s wedding day. He creeps up on his blushing (briefly blonde) bride and she whispers she?s not wearing panties. Minutes later, her best friend Olga (Magdalena Lamparska) walks in on them mid-hump, her own arms laden with wispy bits of fabric that might be that missing underwear. ?You?re sick people, you know that?? she says in English before calling them pervs in Polish. Is she talking about Massimo and Laura or us? Who can say?
The wedding night is as raunchy as you?d hope from the likes of Massimo and Laura. The domineering crime lord tells his lady love she has one hour to do whatever she wants, then it?s his turn. She rebuffs this, saying she?ll take control. (The good news is the sex feels 100% more consensual this time around? Eh?) She ties him up with her stockings and proceeds to pleasure herself nude. Disclaimer: this part looked hard to fake with movie magic so I am once again praying to ?sweet baby Jesus and the grown one, too? that there is a hell of an intimacy coordinator attached to this project. Finally, Laura asks her husband to take her the way she likes. He is an animal unleashed. She likes it, we are led to believe.
The next morning, Laura wakes ?Husband? by revealing she?s somehow managed to have a dye job in the wee hours of the morning. (I do want to know more about how Laura gets her hair and makeup done, though, because she is never disheveled after a sex scene. Hey, author Blanka Lipi?ska, can you add more of your cosmetology to the story? I need to know how this is possible!) They then embark on a honeymoon supercut that is Sandals resort ad meets soft core porn.
Photo: Netflix
The moment that will live with me forever isn?t when Massimo attempts to eat Laura?s face mid-kiss in a hot tub ? though that will likely stay with me until about November this year ? but when the two indulge in some ?fore? play. While golfing, Laura begins to pole dance on one of those flag things that notes a hole. [Ed. Note: It is indeed called a ?flag.?] She then sits down and spreads her legs over the tin cup. Massimo licks his lips. He blows on his club. He then puts his ball straight between his wife?s legs and scores a hole. [Ed. Note: In the parlance of golfers, this is called ?sinking a putt,? but I suppose that ?scores a hole? is a more apropos description for a movie like this.?] It?s a scene that only makes sense if you type it out and see all the double entendres for yourself. 365 Days: This Day is intellectually stimulating that way.
When Laura and Massimo return from vacation, they fall back into their old routine: Massimo is controlling, Laura is demanding, and the mafia families of Europe hatch wild schemes to tear these two horndogs apart. The rest of the film is a parade of over-the-top sex scenes, Tommy Wiseau-esque dialogue, and a plot twist involving a secret evil twin. (Really!)
But 365 Days: This Day starts in a moment of bliss for Massimo and Laura. It starts with the honeymoon. And then it?s all downhill (or consistently terrible) from there. I can?t wait for the third and final installment.
We would love to thank the writer of this post for this incredible content
[date_timestamp] => 1651181610
)
[9] => Array
(
[title] => Salma Hayek Shared a Playful Moment From Her & Penélope Cruz?s Past for the Star?s Birthday
[link] => https://movies.fuzzyskunk.com/movie-actors/salma-hayek-shared-a-playful-moment-from-her-penelope-cruzs-past-for-the-stars-birthday/
[dc] => Array
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[creator] => Tony Grantly
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[pubdate] => Thu, 28 Apr 2022 21:10:33 +0000
[category] => Movie ActorsBirthdayCruzsHayekMomentPenélopePlayfulSalmasharedStars
[guid] => https://movies.fuzzyskunk.com/?p=16370
[description] => There?s nothing better than having a longtime BFF who is there for every moment in your life ? a total ride or die. So, that?s why Salma Hayek gave her best friend, Penélope Cruz, a shout-out on her 48th birthday on Thursday. Related story Strong Celebrity Friendships That Make Us Want to Call Our BFF ... Read more
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[encoded] =>
There?s nothing better than having a longtime BFF who is there for every moment in your life ? a total ride or die. So, that?s why Salma Hayek gave her best friend, Penélope Cruz, a shout-out on her 48th birthday on Thursday.
Related story
Strong Celebrity Friendships That Make Us Want to Call Our BFF
The fabulous duo, who have been friends since 2001, often praise each other in interviews, but today was Cruz?s turn to receive the love. Sharing a black-and-white image from their time filming the 2006 comedy western, Bandidas, Hayek wrote in English and Spanish on Instagram, ?Happy Birthday my soul sister!! I?m so lucky to have you in my life, thank you for carrying me across the line so many times.? The adorable snapshot showed Hayek receiving a piggyback from Cruz while they both sported huge grins and cowboy hats.
Cruz talked about Hayek taking her under her wing when she had to relocate to Los Angeles for a film for the first time. ?I got here with a ticket to make a movie, I had my return ticket, so I was coming here for two months and I didn?t know anyone here,? Cruz told Ellen DeGeneres in January. ?She picked me up at the airport and she said, ?You?re not going to a hotel, you?re coming to my house because this is hard at the beginning and you?re going to feel very lonely.’?
If that doesn?t make you weep over how deep their friendship is, the Parallel Mothers star stayed in Hayek?s room because she was ?scared.? Cruz added, ?And on top of that, in the middle of the night she says I was holding her hand because I was afraid, I don?t know, I was dreaming.? The women are bonded for life from their early days in Hollywood, and it?s sweet to see their sisterhood endure over two decades later.
Before you go, click here to see Salma Hayek?s best photos with daughter Valentina Paloma Pinault.
We would like to say thanks to the writer of this write-up for this outstanding material
)
[summary] => There?s nothing better than having a longtime BFF who is there for every moment in your life ? a total ride or die. So, that?s why Salma Hayek gave her best friend, Penélope Cruz, a shout-out on her 48th birthday on Thursday. Related story Strong Celebrity Friendships That Make Us Want to Call Our BFF ... Read more
[atom_content] =>
There?s nothing better than having a longtime BFF who is there for every moment in your life ? a total ride or die. So, that?s why Salma Hayek gave her best friend, Penélope Cruz, a shout-out on her 48th birthday on Thursday.
Related story
Strong Celebrity Friendships That Make Us Want to Call Our BFF
The fabulous duo, who have been friends since 2001, often praise each other in interviews, but today was Cruz?s turn to receive the love. Sharing a black-and-white image from their time filming the 2006 comedy western, Bandidas, Hayek wrote in English and Spanish on Instagram, ?Happy Birthday my soul sister!! I?m so lucky to have you in my life, thank you for carrying me across the line so many times.? The adorable snapshot showed Hayek receiving a piggyback from Cruz while they both sported huge grins and cowboy hats.
Cruz talked about Hayek taking her under her wing when she had to relocate to Los Angeles for a film for the first time. ?I got here with a ticket to make a movie, I had my return ticket, so I was coming here for two months and I didn?t know anyone here,? Cruz told Ellen DeGeneres in January. ?She picked me up at the airport and she said, ?You?re not going to a hotel, you?re coming to my house because this is hard at the beginning and you?re going to feel very lonely.’?
If that doesn?t make you weep over how deep their friendship is, the Parallel Mothers star stayed in Hayek?s room because she was ?scared.? Cruz added, ?And on top of that, in the middle of the night she says I was holding her hand because I was afraid, I don?t know, I was dreaming.? The women are bonded for life from their early days in Hollywood, and it?s sweet to see their sisterhood endure over two decades later.
Before you go, click here to see Salma Hayek?s best photos with daughter Valentina Paloma Pinault.
We would like to say thanks to the writer of this write-up for this outstanding material
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